Tickets will be on sale to the public 7/27 at noon. On sale to all Passim members 7/22 at noon.
Passim requires all staff, performers, and patrons to show proof of COVID-19 vaccine when they work, attend performances, classes, and workshops at Passim. Patrons will be asked to show their vaccination card or a photo of their vaccination card when they enter the club. Patrons will be asked to show proof each time they visit the club. If a patron is not able to show proof of vaccination they will not be allowed to attend the performance, and their ticket purchase will be refunded.
During COVID, Passim has invested in its live stream capability, and we encourage patrons who have not been vaccinated or others who don’t feel comfortable yet visiting the club to watch the live streams or attend online classes instead. If you purchased a ticket but aren’t feeling well, please stay home and watch the livestream instead.
As per CDC guidelines, people are considered fully vaccinated; 2 weeks after their second dose in a 2-dose series, such as the Pfizer or Moderna vaccines; or 2 weeks after a single-dose vaccine, such as Johnson & Johnson’s Janssen vaccine.
Patrons and staff must wear masks at Passim unless actively eating or drinking. Artists may remove masks when performing and will maintain a 6-ft distance from the audience.
Passim is committed to providing a safe environment for all to work, listen, and enjoy live music. It is our hope that we can ease these restrictions once further progress has been made reducing transmission of the virus. Until then, we appreciate your patience and cooperation.
- Folk Pop
Based out of Boston and heavily influenced by years of living in the Southeast, Heather’s style is deeply rooted in the storytelling and sounds of original folk masters (Joni Mitchell, Indigo Girls, Patti Griffin) while also drawing influence from modern folk and indie rock songwriters (Sheryl Crow, Anaïs Mitchell, Lucinda Williams). They bring an untamed, contemporary edge to the crafted, controlled power of their classical vocal training. Scott regularly performs in the Boston folk scene and beyond; both solo as well as half of Hawthorn, a Boston Music Award nominated contemporary folk project.
Beginning her career as a solo acoustic guitarist, Talia Rose has become a musician of striking versatility. With an educational background in jazz, Talia now composes and performs in a wide variety of styles including jazz, pop, rock, and musical theater.
Talia keeps a busy schedule in NYC and Boston, though she has performed abroad extensively in venues including the Duc De Lombards in Paris, the Kofferfabrik in Nuremberg, and the Banff Center for the Arts in Alberta. In June of 2018, Talia was a featured artist for the Belize International Jazz Festival in Belize City, where she performed both solo and as an accompanist, and gave guitar masterclasses, workshops, and private lessons.
Talia earned her bachelor’s degree in jazz studies at New York University under the direction of distinguished jazz musicians including Peter Bernstein, Adam Rogers, John Scofield, Alan Ferber, and Tony Moreno. She also spent time in Paris studying at the Pôle Supérieur Conservatory with guitarist Frédéric Favarel. She is now working towards her Masters in Music at New England Conservatory in Boston. Talia is an avid composer and has released five albums of original music. Her pieces have been played at the Blue Note in NYC, the Banff Center for the Arts, and in countless venues across North America and Europe. Recently, she has been composing and arranging for jazz ensembles, for her band, “Fassett & Rubenstein,” and for her solo project, “Talia Rose.”