The Bad Oats are a progressive string band based out of Nashville. Since they formed in 2019, they have been making a name for themselves in the Roots Music Community, performing at festivals and stages around the country, including The Fresh Grass Festival and The Ossipee Valley Music Festival. They are the winners of the 2021 Telefunken Band Competition at The Podunk Bluegrass Festival.
Their debut full length album, The Other Side of Love, showcases the band’s diverse range of influences while displaying their strong foundation in American Roots music. On the album, which features seven original songs, one can hear echoes of artists as diverse as Crooked Still, Del McCoury, Buck Owens, The Rolling Stones, and Billie Eilish. The Other Side of Love was recently released on March 15, 2022.
Multi-instrumentalist Matt Flinner has made a career out of playing acoustic music in new ways. Starting out as a banjo prodigy who was playing bluegrass festivals before he entered his teens, Flinner later took up the mandolin, won the National Banjo Contest at Winfield Kansas in 1990, and took the mandolin award there the following year. Since then, he has become recognized as one of the premiere mandolinists as well as one of the finest new acoustic/roots music composers today.
He has toured and recorded with a wide variety of bluegrass, new acoustic, classical and jazz artists, including Tim O’Brien, Frank Vignola, Steve Martin, Darrell Scott, the Modern Mandolin Quartet, Dave Douglas, Leftover Salmon, Alison Brown, The Ying Quartet, Tony Trischka, Darol Anger, and the Nashville Chamber Orchestra. He has also recorded two Compass Records CDs and toured as part of Phillips, Grier and Flinner with bassist Todd Phillips and guitarist David Grier. His two solo CDs (also on Compass), “The View from Here” and “Latitude,” are now widely considered classics in the new acoustic/modern bluegrass style. His current group, the Matt Flinner Trio (with guitarist Ross Martin and bassist Eric Thorin), has forged new pathways in acoustic string band music with their two ground-breaking CDs, “Music du Jour” and “Winter Harvest”.
Zoe Mulford charms listeners with vivid songwriting and down-to-earth humor. Backing her clear voice with guitar or Appalachian claw-hammer banjo, she has established herself as a contemporary songwriter with a grounding in traditional American, English, and Celtic music. In 2018, Joan Baez covered her song “The President Sang Amazing Grace.” The song was voted 2018 Song of the Year by Folk Alliance International and was published in 2019 as a book with illustrations by animator Jeff Scher.
Hammer dulcimer virtuoso Simon Chrisman brings an unusual style to an instrument that has previously been thought to have limited range and technique… his inventive virtuosic touch and sophisticated rhythmic sensibilities are redefining the instrument and earning the attention of musicians from all over the world. He tours with the Jeremy Kittel Band and the Bee Eaters, and has performed with Darol Anger, Bruce Molsky, Mike Marshall, Laurie Lewis and Seamus Egan.
Based on a mutual love of bluegrass, country, blues, western swing, and other string band music of all kinds, the partnership of dobro player Rob Ickes (who also plays superlative lap steel guitar in the duo on occasion) and acoustic/electric guitarist Trey Hensley continues to delight and astound audiences of traditional American music around the globe.
Since the duo decided to join forces and make their collaboration the focus of their touring and recording careers in 2015, after cutting their first album on Compass, Before The Sun Goes Down (nominated for a Grammy), they have continued to bring their music to venues near and far. They’ve performed in places as close to home as Nashville’s world famous Station Inn—a frequent and favorite showcase– and as far away as Denmark’s Tonder Festival as well as an impressive number of the most prestigious US music festivals, including Rockygrass, ROMP, Wintergrass, Bluegrass Underground, and the Freshgrass Festival, just to name a few. They have toured the European continent four times, as well as England, Ireland, and Australia.
Their second album on Compass, Country Blues, released in 2016, testified to the growing diversity and expansion of their collaborative talents and repertoire. The duo were key players on “Original,” the recent highly lauded Compass album by bluegrass giant Bobby Osborne; their participation garnered a Recorded Event Of The Year Award for Bobby’s version of “Got To Get A Message To You” on that album at this year’s IBMA Awards; they also were on the 2016 Recorded Event winner, ”Fireball,” featuring Special Consensus, in 2016. Upcoming news includes Rob and Trey sharing a number of concert bills, beginning in the fall of 2017 with the great and influential mandolin master David Grisman and Australia’s fleet finger picking guitarist Tommy Emmanuel, both enthusiastic admirers of the duo.
Mama’s Broke have spent the past eight years in a near-constant state of transience, pounding the transatlantic tour trail. They’ve brought their dark, fiery folk-without-borders sound to major festivals and DIY punk houses alike, absorbing traditions from their maritime home in Eastern Canada all the way to Ireland and Indonesia.
Nowhere is the duo’s art-in-motion approach more apparent than on their long-awaited sophomore record Narrow Line (May 13, 2022 on Free Dirt Records); it’s the sound of nowhere in particular, yet woven with a rich synthesis of influences that knows no borders. The eleven songs on Narrow Line burrow deeply, with close harmony duets, commanding vocals, and poignant contemplations on cycles of life, including birth and death. Tinges of Americana stand side-by-side with the ghosts of Eastern European fiddle tunes and ancient a cappella ballad singing, melding into an unusually accessible dark-folk sound. A careful listen of Narrow Line invokes an ephemeral sense of place—whether real or imagined—inviting us to take comfort in the infinite possibilities of life, whether or not we ever choose to settle down.
For a group defined by constant touring, it’s not surprising that the two artists that make up Mama’s Broke, Lisa Maria and Amy Lou Keeler, met on the road. As Lisa remembers it, “Amy was driving her old Mercedes from Montreal to Nova Scotia and I was looking for a ride. We spent the 17 hours in the car talking almost exclusively about music. By the time we reached Halifax we started playing together, and within a week or two became a band.” Both coming out of traveling communities that are focused on music and protest, the two owe the way in which they move through the world to the integrated and self-sustaining nature of DIY culture and activism. It was a busy life that took them on a roundabout annual touring schedule running between Canada, the United States, Ireland, the UK, and Europe. In each country, they built grassroots DIY communities to support their music or moved along the pathways of communal organizing that sustained other touring artists.
The driving force behind this band is – and has always been – the commitment to challenge borders between people, places, and traditions; while encouraging freedom of expression and community through music.
Wes and Simon started down the musical road at around the same time, on the same small island, but only met by chance and with the accidental help of Bill Frissell and a local noodle shack. Fast friends from the start, they’ve made music together every chance they’ve had along the way, making two records with chamber grass outfit the Bee Eaters, and stealing chances to get in a tune or two when passing through each other’s city of residence while on tour with other bands. Now, sixteen years after meeting, they’re releasing their first duo recording.
A native of the Pacific Northwest, Wesley Corbett has been playing the banjo since he was 16, after a split from the classical piano. He has performed with many of the most influential acoustic musicians of our time, including Mike Marshall, Darol Anger, Sarah Jarosz, Sierra Hull, Bruce Molsky, Robert Earl Keen, Tony Trischka, Molly Tuttle, and Laurie Lewis (among many others), as well as touring internationally with the Indie-Popgrass band Joy Kills Sorrow. From 2011-2015 Wes was the professor of banjo at Berklee school of music in Boston MA. He now lives in Nashville TN and plays in the Molly Tuttle Band.
Hammer dulcimer virtuoso Simon Chrisman brings an unusual style to an instrument that has previously been thought to have limited range and technique… his inventive virtuosic touch and sophisticated rhythmic sensibilities are redefining the instrument and earning the attention of musicians from all over the world. He tours with the Jeremy Kittel Band and the Bee Eaters, and has performed with Darol Anger, Bruce Molsky, Mike Marshall, Laurie Lewis and Seamus Egan.
GRAMMY nominated Missy Raines was named 2021 International Bluegrass Music Association Bass Player of the Year, for the 10th time, more than any other bass player in the history of the organization. She is a bass players’ bass player, a singer, songwriter, teacher, sideman, and bandleader. In addition to the Bass Player awards, she’s received multiple awards from the IBMA for Recorded Event of the Year and Song of the Year. In 2019, Missy was featured in The Country Music Hall of Fame as part of their American Currents exhibit. In January of 2020, Missy Raines & Allegheny debuted on the Grand Ole Opry.
With her latest album, Highlander, bluegrass/Americana icon Missy Raines takes inventory of where she stands at this current juncture in her storied career — this melodic ode to her native West Virginia, which simultaneously serves as an ideal prism of time and space Raines peers through into the unknowns of tomorrow.
Throughout her storied career, Raines has garnered some of the biggest accolades in the music industry, including 14 International Bluegrass Music Association honors, with 10 being awarded for “Bass Player of the Year.” Raines’ 2018 release Royal Traveller was also nominated for a Grammy Award for “Best Bluegrass Album” in 2020.
Highlander brings together some of the finest musicians in Nashville and beyond, including country star and fellow West Virginian Kathy Mattea; fiddle virtuosos Michael Cleveland, Bronwyn Keith-Hynes, Darol Anger and Shad Cobb; renowned bluegrass vocalists Danny Paisley, Dudley Connell and Laurie Lewis; with dobro wizard Rob Ickes and banjo great Alison Brown also making guest appearances.
With modern-day bluegrass currently experiencing another high-water mark as names like Billy Strings, Molly Tuttle and Sierra Hull proudly carry the torch of tradition and evolution, Raines finds solidarity in the ongoing growth and progress of the “high, lonesome sound” — this fine line between respect and rebellion that Raines has seamlessly balanced since the beginning.
