Melissa Carper

Carper’s deep, old-timey music roots were firmly planted as a child, playing upright bass and singing in her family’s traveling country band in rural Nebraska. Her love of country classics was cultivated as she laid beneath the console listening to her parents’ record collection. Hank Williams, Patsy Cline, Loretta Lynn, Ray Charles, Elvis Presley, and more became the soundtrack of her youth.

After two years of college, wanderlust set in, and Carper hit the road in the family’s 1980 Dodge Maxi Van, and landed in historic Eureka Springs, Arkansas. There, she was welcomed into the busking community, and found a new home base—a place to write, reflect, and rejuvenate in years to come. Along the way, she founded award-winning bands like power trio The Carper Family, the perfect outlet for her unique skills and style. The band brought her original work to life in a simple yet dynamic fashion that also served her inspirations – country, bluegrass, western swing, and old- style jazz, playing festivals and shows across the globe, and on shows like “A Prairie Home Companion.” Carper also holds a spot in award-winning Arkansas foursome Sad Daddy, and founded roots duo Buffalo Gals with Sad Daddy bandmate and partner, award-winning fiddler Rebecca Patek.

She released her critically acclaimed solo release Daddy’ s Country Gold in 2021, followed by the equally revered Ramblin’ Soul, which came out in the fall of 2023.

Harmonious Wail

The members of Harmonious Wail are purveyors of Americana-infused Gypsy Jazz, who continue to take their listeners on a ride via the music of the Hot Club sounds of Parisian cafes, to the deepest blues of the Memphis Delta, to the heartfelt folk scenes across every-town-America. This harmonious clique are sublime entertainers, great educators, and lifters of spirits.

Harmonious Wail is a trio of multi-award winning musicians. Sims Delaney-Potthoff, a mandolin virtuoso, and vocalist, Maggie Delaney-Potthoff, vocalist extraordinaire, whose percussive instrument of choice is a cardboard box (but who can also rock almost any household object), and Pete Olig, a master bassist who dazzles and mesmerizes on both upright and electric 5-string bass.

These illustrious, yet humble artists vow that every performance is played from the heart and infused with a perfect balance of inspiration, emotion, wit and storytelling. The Wail celebrates 10 recordings in its 30+ years of existence and is currently kicking off its 4th decade releasing two new CDs simultaneously! One project showcases Harmonious Wail’s original compositions, and the other is a collection of Gypsy Jazz standards recorded in collaboration with some the world’s leading Gypsy Jazz All Stars.

As stewards of the Gypsy Jazz genre, they have established the Midwest Gypsy Swing Fest, held twice a year in Madison, Wisconsin. They also offer to take the fest on the road as a special concert package. They have mastered a plan on how to bring amazing Gypsy Jazz All Stars from around the world, and place them in front of concert audiences throughout the United States.

Dennis Lichtman

Dennis Lichtman is a multi-instrumentalist (mainly clarinet, fiddle, and mandolin) who is deeply entrenched in early- to mid-1900’s American music, from traditional jazz and swing to bluegrass and western swing.  His elegant voice carries through on all his instruments, lending a thread that weaves together the various genres he navigates.  Originally from Boston, MA, Lichtman has been living in New York City since 2002.

In August 2018, Lichtman released Just Cross the River, celebrating with two sold-out shows at Dizzy’s Club at Jazz At Lincoln Center hosted by the New York Hot Jazz Festival. The album features nine original compositions inspired by the migration of jazz legends into the borough of Queens, NY beginning in the 1920’s.  The project was instigated by a grant from the Queens Council on the Arts.

Since 2007, Dennis has been the clarinetist and bandleader of the famed Tuesday night traditional-jazz jam session at Mona’s in downtown New York, which was profiled in the New York Times, and has been described by the Wall Street Journal as “ground zero for an emerging late-night scene of young swing and traditional jazz players.” December 2012 saw the release of Tuesdays At Mona’s, a 19-minute documentary about the Mona’s session produced by Hi-Tide Films, accompanied by a live CD of Mona’s Hot Four with 19 guest musicians.

Dennis switches deftly between fiddle, clarinet, and mandolin while leading his western swing sextet, The Brain Cloud, through a broad array of American music including original compositions and new arrangements of old songs.  The Brain Cloud, featuring vocalist Tamar Korn, has held a Monday night residency at the prestigious-yet-intimate Brooklyn venue Barbés since 2011.  The band’s third full-length release, Live At Barbés, was released in April 2017.

Lichtman has performed at Carnegie Hall, major festivals throughout the United States, and on stages in Europe, Brazil, and China. He is on the faculty of the Welbourne Traditional Jazz Camp in Middleburg, VA, and has led college master classes and inner-city school workshops through the Midori Foundation, Lincoln Center’s Meet The Artist Series, and Beijing’s Ping-Pong Productions.He has performed and recorded as a regular member of Ghost Train Orchestra, Pokey LaFarge Band, Nation Beat, Jim Kweskin Band, and many more.

Rhythm Future Quartet

The acoustic jazz ensemble, Rhythm Future Quartet has a straightforward agenda: to keep the spirit of Gypsy jazz alive and expanding in today’s musical universe. The virtuosic foursome, named for a Django Reinhardt tune, offers up a newly minted sound, influenced by the classic Hot Club of France, yet wholly contemporary. Founded by violinist Jason Anick, the quartet performs dynamic and lyrical arrangements of both Gypsy jazz standards and original compositions that draw upon diverse international rhythms and musical idioms. With Max O’Rourke, Henry Acker, and Greg Loughman rounding out the quartet, Rhythm Future is dedicated to expanding the boundaries of a vital musical genre.

The Fall of 2018 marked the release of their newest album, “Rhythm Future Quartet and Friends”, which features the critically acclaimed singer Cyrille Aimée, brazil’s top bandolimist Hamilton de Holanda, and world-renowned guitarist Stochelo Rosenberg. While maintaining the effervescent lilt, virtuosic musicianship and adventurous musical leanings of their previous recordings, Rhythm Future Quartet and Travels (picked as one of the best jazz albums of 2016 by All About Jazz and the Huffington Post), RFQ and Friends brings vibrant new colors to the mix. JazzTimes Magazine stated, “RFQ and Friends is packed to the gills with feeling and remains consistently dynamic, full of virtuosity and swing.” With its arresting blend of Hot Club of France styled string jazz, Brazilian and East European idioms, original compositions and hints of classical music, the album marks a significant moment in the growth of a continually evolving ensemble. (And one with continually increasing popularity: the quartet’s version of Django’s “Minor Swing” has over four million views on YouTube, while their video clip of “Bushwick Stomp” from Travels has over three million Facebook views.)

Jason Anick, an award-winning composer and violin professor at the esteemed Berklee College of Music in Boston, has shared the stage with an array of artists including Grammy award winning guitarist John Jorgenson, Stevie Wonder, The Jim Kweskin Jug Band, and Tommy Emmanuel. Henry Acker is a young powerhouse jazz guitarist who performs both in the style of Django Reinhardt as well as traditional jazz. A child prodigy who began playing at age 8 and performing professionally at age 9, his talent and abilities have developed into nothing short of astonishing. Henry has already shared the stage with jazz greats Bucky Pizzarelli, Frank Vignola, Julian Lage, Bireli Lagrene and Vic Juris. He is a five-time winner of the Downbeat Magazine Student Award for jazz guitar soloist.

Guitarist Max O’Rourke, was the winner of the 2015 Saga Award from DjangoFest Northwest and at 22 has already toured/recorded with many of the top American Gypsy Jazz musicians including John Jorgenson and Gonzalo Bergara. Greg Loughman is a top call bassist in Boston and has been heard with such luminaries as Sheila Jordan, Curtis Fuller and George Garzone.

The Ruta Beggars

The Ruta Beggars infuse traditional bluegrass and early swing to create a timeless act filled with intricate yet smooth vocal harmonies, fiery instrumentals and plenty of fun. They have been praised for their creative yet tasteful arrangements and charming performances. The Ruta Beggars can be heard on Steve Martin’s Unreal Bluegrass, Brian O’Donavan’s A Celtic Sojourn and the stages of Joe Val, Grey Fox, and Ossipee Bluegrass Festivals, among others. Following the release of their debut EP self-titled “The Ruta Beggars,” they were the winners of the 2019 Thomas Point Beach Bluegrass band competition.

Micah Nicol (guitar), Sofia Chiarandini (fiddle), Ariel Wyner (mandolin), Trevin Nelson (banjo), and Noah Harrington (bass) met at the prestigious Berklee College of Music in the American Roots Music Program.

Sofia Chiarandini

Sofía Chiarandini has been playing violin since age five, and at age fourteen decided to dive into the world of bluegrass. She has played at major bluegrass festivals with various bands around the US and Canada. For the past three years, Sofía has been studying at Berklee College of Music, where she was awarded the Fletcher Bright award her freshman year, and co-founded her bluegrass band The Ruta Beggars. Sofía will be joined by some special guests for this musical celebration to play some hot bluegrass, swing, and more!

Billy Novick & Guy Van Duser

“Elegant.” “Riveting.” “Soulful.” “Classic mastery.” These are a few of the terms that have been used to describe the unique and stunning swing-jazz music of acoustic guitarist Guy Van Duser and clarinetist Billy Novick.

Together as a duo for more than forty years,  Guy and Billy have performed in concerts, clubs and festivals all over North America and Europe. You also may have heard them as frequent guests of the Prairie Home Companion show, NPR’s All Things Considered, or on one one the numerous film and television soundtracks they have been featured on.

Novick’s ever-inventive and soulful clarinet playing provides the ideal complement to Guy’s guitar. With his vast knowledge of the classic jazz era, his dazzling improvising skills, and his entertaining vocals, Novick is able to both add a melodic and dynamic spark to Guy’s guitar . Their music sounds fresh and original, yet is also deeply rooted in the rich legacy of the classic jazz age. The duo can play any piece from their huge repertoire- an obscure Ellington tune, a Gershwin classic, a complex Jelly Roll Morton arrangement, or perhaps one of the their originals- and immediately have it sound their own.

And, my, how they swing! The two of them together can create a pulse as driving as any big band. They have a musical telepathy and understanding that has been honed by more than twenty-five years of playing together, a rhythmic drive that doesn’t quit and a thorough mastery of their instruments. Add to all of this their relaxed and engaging stage manner, and you will be treated to a joyously entertaining and musically enchanting show that, indeed, has already stood the test of time.

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