Larry & Joe

Larry & Joe were destined to make music together.

Larry Bellorín hails from Monagas, Venezuela and is a legend of Llanera music. Joe Troop is from North Carolina and is a GRAMMY-nominated bluegrass and oldtime musician. Larry was forced into exile and is an asylum seeker in North Carolina. Joe, after a decade in South America, got stranded back in his stomping grounds in the pandemic. Larry works construction to make ends meet. Joe’s acclaimed “latingrass” band Che Apalache was forced into hiatus, and he shifted into action working with asylum seeking migrants.

Currently based in the Triangle of North Carolina, both men are versatile multi-instrumentalists and singer-songwriters on a mission to show that music has no borders. As a duo they perform a fusion of Venezuelan and Appalachian folk music on harp, banjo, cuatro, fiddle, maracas, guitar, upright bass, and whatever else they decide to throw in the van. The program they offer features a distinct blend of their musical inheritances and traditions as well as storytelling about the ways that music and social movements coalesce.


Larry & Joe estaban destinados a hacer música juntos.

Oriundo de Monagas, Venezuela, Larry es una leyenda de la música llanera. Proveniente de Carolina del Norte, Joe es un músico de bluegrass y oldtime que fue nominado para un GRAMMY. Larry tuvo que exiliarse a Carolina del Norte y es solicitante de asilo. Joe, después de una década en Sudamérica quedó varado en su tierra natal por la pandemia. Larry trabaja en construcción para llegar a fin de mes. Cuando el ascenso de su renombrada banda Che Apalache se detuvo, Joe pivotó para trabajar con migrantes solicitando asilo.

Actualmente basados en el Triángulo de Carolina del Norte, ambos hombres son multi-instrumentistas versátiles con una misión de mostrar que la música no tiene fronteras. Como dueto tocan una fusión de folklore de Venezuela y de los montes Apalaches en arpa, banjo, cuatro, violín, maracas, guitarra, contrabajo y cualquier otra cosa que decidan subir a la camioneta. Como músicos su programa ofrece una mezcla única de sus diversas herencias y tradiciones, y cómo cuentacuentos demuestran cómo la música y los movimientos sociales interactúan.

 

Jon Anderson

Jon Anderson started playing old-time music at 7, when his father taught him to play banjo on his “Pete Seeger” model Vega. Since then, he has been an active performer, teacher, and student of Old-Time music, winning awards for his fiddling, and producing an album of traditional Round Peak fiddle and banjo duets with Tom Collins, “Sinful to Flirt” in 2016. Jon has produced an occasional YouTube series, “Bowing Lights for Old-Time Fiddle” using innovative animations to demonstrate the unique motions in southern old-time fiddle bowing. In 2009, Jon was awarded a grant through the State of New Hampshire to study traditional New England fiddle styles with Rodney Miller, comprising old-time, Irish, and French and Anglo Canadian influences.

Matt Heckler

MATT HECKLER is a solo multi-instrumentalist that barely fits into any ordinary musical category. He tends to keep to the darker side of Appalachian mountain music and early bluegrass but listen long enough and you’ll soon be transported to the mountains of Eastern Europe or a dimly lit bar in Ireland where they honor those who have passed with a gently swaying a cappella ballad.

After touring almost nonstop for years in support of bands like Devil Makes Three, Lost Dog Street Band, Flogging Molly, and others, HECKLER, like the rest of us, got sidelined by the ongoing global pandemic. With the newfound time off, he set to pushing creative boundaries in his home recording studio as far as his mind would allow. Each fiddle, banjo, and guitar track carefully put in place all the while retaining the grit and energy reflected in his live shows. Paired perfectly as the sequel to After The Flood, the Blood, Water, Coal album is a defining release in his career.

Blood, Water, Coal was performed and recorded by MATT HECKLER with upright bass and backing vocals provided by Jeff Loops (Lost Dog Street Band). While recording Blood, Water, Coal, MATT HECKLER released The Magnolia Sessions outdoor live set – the maiden release for the now popular series – which made it to #9 on the Bluegrass Billboard Charts. The Magnolia Sessions was still charting upon the release of Blood, Water, Coal, which debuted at #3, leaving HECKLER with two albums running on the Billboard Charts simultaneously.

HECKLER writes, “I started working on this album over a year ago in my home. Ran into a lot of snags and problems inherent in self-recording, but being alone, just a mic and my instruments, was the only way to capture the raw emotions this collection of songs holds for me. Some of these tunes were written over a decade ago, most of them in more recent years. Others took years to write. But now that it’s done, I can confidently say this album is the perfect sequel to After The Flood.”

Nora Brown & Stephanie Coleman

Nora Brown started learning music at the age of 6 from the late Shlomo Pestcoe. From his studio apartment in Brooklyn, Pestcoe instilled in her the belief that music is meant to be shared.  Nora plays old-time traditional music with a particular interest in eastern Kentucky and Tennessee banjo playing. Along with the banjo and guitar she also sings traditional unaccompanied ballads from southeast Appalachia and beyond.

In October 2019 Jalopy Records released Nora’s first album of 11 traditional songs and tunes called Cinnamon Tree. It was produced by the legendary Alice Gerrard and pressed by Third Man Pressing in Detroit. It’s only available on limited edition vinyl with a digital download and liner notes. Cinnamon Tree landed #7 on the Billboard Bluegrass Chartsthe 2nd week of its release.

In September 2021 Jalopy Records released Nora’s EP of 7 traditional songs and tunes called Sidetrack My Engine. It was recorded in mono in underground brick arched space in Brooklyn NY. Using an Ampex tape machine and vintage RCA ribbon mics from BigTone Records. 10” vinyl Pressed by United Record Pressing in Nashville.

Nora plays solo regularly and also as duet with fiddler Stephanie Coleman and fiddler Jackson Lynch.

Ruth Rappaport

Ruth Rappaport plays traditional American, Irish, and British Isles music. An excellent rhythm guitarist and pianist, she lays down the beat behind some of the best fiddlers, old-time string bands, and other traditional instrumentalists active today. Ruth shines as a vocalist with a repertoire that ranges from mountain ballads and gutsy blues to honky-tonk hits and old folk songs. She has played with Bill Spence, John McCutcheon, Seamus Connolly, George Wilson, Ken Perlman, Joe Pete Wetherbee, and Alan Kaufman, among other artists. Since 1979 she has made Boston her home and has been involved in the old-time and Irish music scenes. For 15 years she traveled widely with the acclaimed eclectic string band, The Poodles. She currently performs with her son, fiddler Ben Wetherbee, and many string bands and combos. She leads sing-a-longs with children and seniors and plays in clubs, senior communities, for community events, and for contra and square dances.

Hazel Royer

Hazel Royer is a Boston musician that primarily is an upright bassist, guitarist, and singer. She plays a variety of styles including Folk, Jazz, Old-Time, Bluegrass, Rock, and Blues. Hazel is currently a member of the acclaimed bluegrass group Big Richard. She grew up playing folk and bluegrass music in the Boston music scene with her father, Eric Royer.

Joel Wennerstrom

Joel plays clawhammer banjo and guitar for contra and square dances in the New England area. Before moving to Boston in 2013, Joel lived in NYC, where he taught design and drawing at Pratt Institute. His playing is featured on various recordings, including Hammer & String’s “The Girl Who Broke My Heart” with Rhys Jones and Cleek Shrey, “Wooden Nickels” with Laura Feddersen and Owen Marshall, “The Pleasure of Your Company” with Harry Bolick, and “All in Good Time”, with Alan Kaufman and Don Stratton.

Sophie Mae Wellington

Sophie Wellington is an old-time fiddler, jazz singer, and percussive dancer. Originally from Staunton, VA in the Shenandoah Valley, she grew up surrounded by a diverse and dedicated musical community. She brought a passion for traditional music and dance with her to Boston where she studied vocal jazz performance and American roots music at Berklee College of Music. She became a fixture of the New England Old Time scene by co-leading a weekly old time session with Zach Meyer, along with forming their old time fusion string band Dumpster Debbie. Whether she’s weaving her voice through lavish jazz melodies and harmonies, driving fiddle tunes with her high energy bowing, or flatfooting Southern Appalachian rhythms, Sophie invites audiences on a sophisticated and energetic musical adventure. In her upcoming debut album Roving Jewel, a diverse collection of fiddle tunes, jazz standards, traditional ballads, and percussive dances, Sophie explores her relationship with these distinct musical forms expressing novel musical ideas that challenge traditional stylistic divisions.

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