Laura Cortese

Laura Cortese might best be described as a sonic magpie: a curious and resourceful adventurer traversing great distances, collecting melodies and rhythms that glitter like jewels in the sun. Driven by the gravitational pull of human connection, her tendency towards exploration and collaboration have led her into countless niches, each providing its own unique feather with which to decorate her distinct and ever-evolving sound. But all of these explorations have one thing in common: the power of strings. This may seem limiting to some. To her, it is anything but. “Strings are at the core of what I do,” she says. “Genre is secondary to that palate.”

After over 5 years of living abroad, Laura has a new solo show based on original American folk songs. When Laura is alone on the stage, the audience becomes her band, stamping and clapping like a kick and snare drum, sometimes singing along sweetly and occasionally reminiscent of an enthusiastic gang vocal. She can be found performing internationally, exploring, and exalting in her passion for American roots music.
Laura Cortese has built a career weaving together a musical tapestry as diverse as it is masterful, highlighted with experiences like playing the Newport Folk Festival with Pete Seeger in 2009, standing onstage at the iconic Carnegie Hall in New York with Band of Horses in 2009, and a stint touring alongside Uncle Earl in 2007. She has recorded with artists ranging from Aoife O’Donovan and Brittany Haas to Tao Rodriguez Seeger and Session Americana, and has released 7 albums under her own name–All in Always (2016), Into the Dark (2013), Simple Heart (2012), Two Amps 1 Microphone (2011), Acoustic Project (2010), Blow the Candle Out (2007), Even the Lost Creek (2006), and Hush (2004). She has toured across the globe, acting as an ambassador of American music on behalf of the US State Department by performing and teaching in India, Kazakhstan, Uzbekistan, Bangladesh, Estonia, Greece, Ukraine, and Montenegro. Now, she holds space and builds community for musicians in Belgium as the co-founder of the monthly Bright Lights Session in Ghent. As always, her vision is as expansive as her background. “We’re working to basically write a new folk tradition,” she says. Were it anyone else, you’d think it impossible. But with Laura Cortese at the helm? It just might come true.

Jason Anick

Berklee College of Music Professor Jason Anick, has earned a reputation among string players as an imaginative improviser, versatile composer, and insightful educator.
Growing up playing fiddle tunes with his family and classical music with local orchestras, he developed a passion for improvisation, which led him to study jazz and classical music at Hartt Conservatory. In 2008, Anick started what would be a 10 year stint touring and recording with Grammy award-winning guitar virtuoso John Jorgenson while still a senior at Hartt Conservatory.

As a band-leader, Anick has launched a variety of musical projects over the years, including the Django Reinhardt inspired group Rhythm Future Quartet, an Americana-inspired Acoustic Trio, and a contemporary jazz ensemble with pianist Jason Yeager. His string of recordings (Sleepless, Tipping Point, United, Travels, Rhythm Future Quartet and Friends, Reverence, Sanctuary) has earned him praise from Downbeat Magazine as a “Rising Star in the world of jazz violin.”

A versatile musician and sought after side-man, Anick has also shared the stage with an array of artist like Stevie Wonder, Guster, Tommy Emmanuel, Hamilton de Holanda, The Jim Kweskin Jug Band, Celia Woodsmith, and Ward Hayden and the Outliers. With performances all over the world from China, Europe, and Japan and renowned venues like Carnegie Hall, Montreal Jazz Festival, Blue Note, Smalls Jazz Club, Scullers Jazz Club, Yoshi’s, Iridium, TD Garden, Regattabar, NPR, and The Late Night Show, Jason has proven himself to be a leader in the ever-growing contemporary string world.

Tim and James

Instrumental trad duo Tim and James began two years ago over a Tuesday morning cup of tea, sparked by friends urging that they write music together. Originally hailing from the farmlands of California and the foothills of the Appalachian Mountains in Georgia, Tim and James’ compositions are laden with their nostalgia of rural and agricultural landscapes with flowers in bloom. Playful and emotive their performance feels like a cinematic canvas to paint your own story into. From simple, daily, cozy like working in the garden or cooking a meal for friends to hiking to your favorite mountain swimming hole.

Patrick M’Gonigle

Patrick M’Gonigle began playing violin at the age of 7 in Vancouver, British Columbia. He studied classically with Suzuki-trained violin teacher Yasuko Eastman in Victoria, BC and during this time won several awards for his classical music as both a soloist and member of several String Quartets and small ensembles.

After several years of touring in Canada with an acoustic dance band, Patrick moved to Boston in 2008 to study at the Berklee College of Music. Upon graduation in 2013, he immediately began a Masters degree in Music from the New England Conservatory, graduating Summa Cum Lauda in 2015 with a performance degree from the Contemporary Improvisation department. In 2012 Patrick formed the Lonely Heartstring Band, a modern acoustic string-band quintet. Since 2012, the band has released an acclaimed record, “Deep Waters” on Rounder Records with a second album “Smoke and Ashes” released in early winter, 2019. In 2015, the Lonely Heartstring Band was awarded a “Momentum Award” of “Best New Band” by the International Bluegass Music Association (IBMA) and in both 2016 and 2017, the group was nominated for the IBMA award for “Emerging Artist of the Year”.

Clara Rose & Raphaella Hero

Clara Rose and Raphaella Hero blend two unique voices into an inseparable whole in their revealing delivery of original music, traditional folk tunes, and improvisation. Their music represents a way of being together with presence, patience, compassion, embodiment, playfulness, and curiosity. These elements are central to the spirit of improvisation which characterizes their musical partnership. With every performance, they offer an invitation to simply be — to put down what you carry, and enter the present moment in the safe embrace of acoustic sound, creative mastery, and grace. Join Clara and Raphaella for their first tour in New England, as they reach out to bring community together, sharing brightness and warmth and at the coldest time of the year.

Matt Hartz

Legendary Texas fiddle master Matthew Hartz is an Idaho native currently living in Boise, Idaho. He is a three-time Grand Masters Fiddle Champion (Nashville, TN) a two-time Grand National Fiddle Champion (Weiser, Idaho), and a two-time World Fiddle Champion (Crockett, Texas). Matthew’s early influences originated from his parents’ diverse record collection which included anything from Dixieland Jazz to bluegrass and much more. Yet his artistic perspective was profoundly shaped by Brian Wilson and the Beach Boys who remain his most significant influence.

Matthew’s father, a major influence in Matthew’s musical career, started him on banjo and guitar at the age of 3 years old. He started playing classical violin at 8 years old and was introduced to folk genres on the violin a couple of years later. His ear was bent toward Texas old-time fiddle masters Major Franklin, Orville Burns, Texas Shorty, and Terry Morris, as well as jazz/swing musicians Bob Wills & Stuff Smith. Matthew developed quickly and won all the major fiddle titles by the age of 19.

Besides fiddle championships, career highlight include producing the soundtrack for the 2003 award-winning PBS documentary, “Idaho Rhapsody” and multiple appearances on WSM’s Grand Ole Opry in Nashville, Tennessee. Matthew currently travels and performs with several touring groups and local bands. He is the leading host for the In My Beach Boys Room Podcast and instructs and performs at many music camps and workshops across the country. Matthew is a multi-instrumentalist renowned in many circles for his deep groove and rhythmic integrity in any style he touches. Seven-time World Fiddle Champion Jim “Texas Shorty” Chancellor eloquently summed up the style of Matthew’s music, “An ability to express music through what most of us can only feel.”

Tashina Clarridge

Grand National Fiddle Champion Tashina Clarridge has toured with Mark O’Connor, Tony Trischka and Laurie Lewis and has performed at Carnegie Hall as a part of MacArthur Fellow/Grammy-winning bassist Edgar Meyer’s Young Artists program.

Tristan Clarridge

Raised in a tipi in the northern California mountains, Tristan Clarridge grew up immersed in the music of J.S. Bach and Texas old-time fiddling, first picking up the fiddle before the age of 2. A 5-time Grand National Fiddle Champion, 2-time Grand Masters Champion and cellist with The Bee Eaters and Crooked Still, he has also toured and recorded with many of his friends and musical heroes including Darol Anger, Brittany Haas, Keith Little, Jody Stecher, Jeremy Kittel, Hanneke Cassel, Laurie Lewis, Bruce Molsky, Natalie MacMaster, Abigail Washburn, and Sean Watkins (of Nickel Creek), and is co-founder (with sister Tashina) of the Shasta Music Summit.

Luke Price

Luke Price is a multi-instrumentalist performer, composer, and studio musician based in Portland, OR. He has his roots in American fiddling and swing traditions, which have influenced his rhythm, taste, and style as they have spread into Soul, Jazz, Pop, and Americana. Luke brings a unique voice to any music he plays, whether he’s on the fiddle, electric guitar, or singing.

Growing up in Boise, Idaho, Luke began competing in fiddle contests and playing around the country. He’s won a plethora of contests, awards, and scholarships. He is the current, and 5-time Grand National Fiddle Champion. His love for rhythm and improvisation born out of these traditional music styles led him to Boston, MA to attend The Berklee College of Music, where he met his now wife and musical partner, Rachael Price, to form their Soul Pop band, “Love, DEAN.” After graduation, they moved to Portland, OR where they continue to play, teach, and write.

Wes Westmoreland

Wes is a four time World Champion Fiddler, a seven time Texas State Champion Fiddler, a four time “TOTFA” Champion, and has finished in the “top 3 ” his last two trips to the National Fiddle Championship in Weiser, Idaho.

In 1989 Wes made the move to Branson, Missouri to play for Boxcar Willie for one year before accepting a job to play for Mel Tillis. He played for Mel for ten years. During those years he not only played shows in Branson, he also traveled with Mel and the “Statesiders” to the Grand Ol Opry in Nashville, Las Vegas, Okinawa, and all across the United States. During his stay with Mel, Wes learned to coordinate an 18-piece band and played not only first, but also second, third and fourth fiddle harmonies.

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