Great Aunt

Raw and austere, simple and bold; full of stomping feet and clapping hands, chants and harmonies, whispered words and soulful lament – that’s the music of Great Aunt. Listen, and you’ll hear tales of joy and grief, whiskey and wine, gratitude and purpose-seeking.

Formed in 2016, the duo is a collaboration between songwriter/instrumentalists Megan Bird (mandolin, resonator, acoustic guitar, vocals) and Chelsea Allen (double bass, vocals, percussion), and draws inspiration from the traditions of old time, bluegrass, and gospel music, with loving homage to their diverse backgrounds in punk, jazz, roots, soul, and folk music. The instrumentation and arrangements are bare and bold: using only various combinations of mandolin, guitar, or resonator with double bass and percussion, and the sonorous voices of Bird and Allen in harmony.

The duo has delighted audiences at some of Australia’s finest music and arts festivals, including Woodford Folk Festival, Blue Mountains Music Festival, Yackandandah Folk Festival, Deni Ute Muster, The GAS, Wintermoon, Healesville Music Festival, Fleurieu Folk Festival, and Newport Folk Festival, amongst others. They have shared stages with notable acts including Vika & Linda Bull (AUS), The Weeping Willows (AUS), Sue Ray (AUS), Smith and Jones (AUS), Mary Flower (USA), Paisley Fields (USA), Wiley Gaby (USA), The Belle Miners (CAN), and more.

Great Aunt have recently returned from their first tour of the US, and are currently busy in their studio, producing and recording their debut full-length album, ‘It’s All Downhill From Here’ – due for release in 2023.

Mercedes Escobar

Fluctuating between unleashed and sweet, Guatemalan singer-songwriter Mercedes Escobar’s raw, guttural vocals dominate any stage. Her voice has been likened to a mix between Linda Ronstadt and Howlin’ Wolf. She’s created a unique genre which blends the rawness of old blues and country vocals and guitar, with the intensity of magical realism lyrics and the sonic traditions of her home culture; All while staying true to her modern values against prejudice in music, race and gender, and highlighting her story-driven songwriting. She calls this “Latin Americana.”​

Mercedes has shared the stage with artists such as Gaby Moreno, Rubén Albarrán (Café Tacvba), Malacates Trébol Shop, etc. She is also featured in the soundtrack of acclaimed independent films Temblores (2019) and Cadejo Blanco (2022; the latter also credits her as music supervisor). After graduating Berklee College of Music in May 2024, Mercedes is recording an upcoming bilingual album, which is being co-produced by Grammy-winning producer and artist Gaby Moreno. This show will be an exclusive preview of that album’s work.

Other than her work in music, Mercedes organized the first Pride event in Antigua Guatemala, and was appointed “Ambassador Against Violence Against Women and Girls” by UN-Women Guatemala.

Joe’s Truck Stop

From a ridge in the Ohio River Valley, on a front porch where Kentucky’s visible through the winter’s bare trees, Joe Truck Stop conspires over a smoking blend of Bluegrass, Honky Tonk, Western Swing, and whatever else finds itself inhaled and manifested by way of a wood box and steel wire…Years of digesting so much of the Country Blues lexicon and traveling the country learning the numerous styles of fiddlers, writers, and travelers alike has led to the original music that comes by way of Joe’s Truck Stop.

The songs are stories of living on the road, love, temptation, heartbreak, family, banjo pickin’ tobacco spittin’ women, gas station sushi, and much more…

We’ve released a handful of self recorded demos and three studio albums, the Free Showers EP (2014), American Dreams (2018), and, Yonderings, released in April 2022, currently receiving positive praise from numerous outlets and publications.

We’ve shared bills with: Wayne Hancock, Mandolin Orange, Kelsey Waldon, JP Harris & the Tough Choices, Foghorn Stringband, Dawg Yawp, Husky Burnette, Filthy Still, Joseph Huber, the Urban Pioneers, Reverend Peyton’s Big Damn Band, the Sweetback Sisters, the Ten Foot Polecats, Sasquatch and the Sickabillies, Josh Morningstar, Jake & the Burtones and many other acts. We’ve played at numerous festivals, including Muddy Roots, Whispering Beard Folk Festival, John Hartford Memorial Festival, the Muddy Roots Spring Weekend, and many more.

We’ve performed live on television and radio, and have appreciated world wide radio play from terrestrial stations in the states to European podcasts and online radio shows.

Joe Macheret (Cincinnati, OH), bandleader and member of Cincinnati stringband, The Tillers, has also lent his instrumental skills on stage and in the studio to JD Wilkes and the Legendary Shack Shakers, the Urban Pioneers, Buffalo Wabs and the Price HIll Hustle, Bill Kirchen, Redd Volkaert, Justin Wells, Chelsea Ford and the Trouble, Maria Carrelli, Lenny Lashley, and many other musicians and bands. Joe’s other side project alongside (Buffalo Wabs & the PHH’s) Scott Risner, Truckstop Waterfall, gained attention after going on tour with Tyler Childers in 2017. Through Joe’s Truck Stop’s touring effort and Joe’s work as a sideman with several touring bands, Joe’s Truck Stop has a following that spreads throughout the United States, as well as numerous other countries.

Kassi Valazza

There is a cult-like fascination growing around Kassi Valazza following the self-release of her 2019 debut album Dear Dead Days and her surprise 2022 EP Highway Sounds. She is seated squarely at the vanguard of new American songwriters strengthening and broadening the sound of country music as she tours with celebrated acts such as Melissa Carper and Riddy Arman. The Southwestern native resides in Portland, a hotbed of songwriters producing albums that both bear the torch and bend the arc of American roots music, where she recently signed with Fluff & Gravy Records — a label known for launching Anna Tivel and Margo Cilker.

Valazza’s forthcoming new album Kassi Valazza Knows Nothing is a spellbinding collection of songs that dangle like protective magic talismans, catching dreams and glinting light. She hypnotizes listeners with a sturdy, yet gentle, voice and painterly songwriting imbued with an independent spirit. Though her music plays country cousin to British folk, calling to mind greats like Sandy Denny (Fairport Convention) and Karen Dalton, a Southwestern American streak carves its way through these solemn, sweetly sung melodies like a canyon.

On the upcoming 10-song set, multi-instrumentalists from Portland’s TK & the Holy Know-Nothings appear in varying roles as Valazza’s backing band: Taylor Kingman (guitars, bass, vocals), Jay Cobb Anderson (harmonica, guitars, pedal steel, bass), Lewi Longmire (pedal steel, piano, bass, trumpet), Sydney Nash (organ, Farfisa, cornet, Wurlitzer), and Tyler Thompson (drums). The group’s swirling psychedelia combines with Valazza’s gutsy and graceful vocal poetry for a singular sound that washes over the listener like a flash flood, heavy and without warning.

Kassi Valazza Knows Nothing captures the romanticism of country crooners with the intuition of a realist poet. Exploring themes of love and longing through metaphors from the natural world, Valazza manages to cut straight to the heart of the human experience, her lucid songs full of delightfully languid characters that haunt the hallucinatory soundscapes her band creates.

Coltt Winter Lepley

Originally from Bedford, PA, Coltt is an Appalachian songwriter, folksinger, published poet and author, and folklorist. He is currently attending Emerson College in Boston, MA as an MFA candidate in their fiction program.

Todd Day Wait

“Todd Day Wait is a Missouri native with an easy-going, good humored nature that will have you singing along faster than you know the words. We originally met while I was on a trip to New Orleans, and reconnected at Santa’s Pub in Nashville one Sunday evening. We talked of this and that, drank cheap beers and had a good time. He even mowed my lawn the next day. That’s Todd’s secret you see; he’s a good guy.” – GemsOnVHS

Clem Snide

“The last ten years have been a rollercoaster of deep despair and amazing opportunities that somehow present themselves at the last possible second,” says Eef Barzelay. “During that time, the band bottomed out, I lost my house, and I had to declare bankruptcy. The only way to survive was to try to transcend myself, to find some kind of deeper, spiritual relationship with life. Once I committed to that, all these little miracles started happening.”

‘Forever Just Beyond,’ Barzelay’s stunning album under the Clem Snide moniker, may just be the most miraculous of them all. Produced by Scott Avett, the record is a work of exquisite beauty and profound questioning, a reckoning with faith and reality that rushes headlong into the unknown and the unknowable. The songs here grapple with hope and depression, identity and perception, God and the afterlife, humanizing thorny existential issues and delivering them with the intimate, understated air of a late-night conversation between old friends. Avett’s production is similarly warm and inviting, and the careful, spacious arrangement of gentle guitars and spare percussion carves a wide path for Barzelay’s insightful lyrics and idiosyncratic delivery.

“I look up to Eef with total respect and admiration,” says Avett, “and I hope to survive like he survives: with total love for the new and the unknown. Eef’s a crooner and an indie darling by sound and a mystic sage by depth. That’s not common, but it’s beautiful.”

Named for a William S. Borroughs character, Clem Snide first emerged from Boston as a three-piece in the early 1990’s, and the group would go on to become a cult and critical favorite, picking up high profile fans from Bon Iver to Ben Folds over the course of three decades and more than a dozen studio albums. NPR highlighted the Israeli-born Barzelay as “the most underrated songwriter in the business today, with a sneakily firm grasp on poignancy and humor,” while Rolling Stone hailed his songwriting as “soulful and incisive,” and The New Yorker praised his music’s “soothing melodies and candid wit.”

Barzelay currently resides in Nashville, TN.

Robbie Fulks

Robbie Fulks is a singer, recording artist, instrumentalist, composer, and songwriter. His most recent release, 2017’s Upland Stories, earned year’s-best recognition from NPR and Rolling Stone among many others, as well as two Grammy® nominations, for folk album and American roots song (“Alabama At Night”).

Fulks was born in York, Pennsylvania, and grew up in a half-dozen small towns in southeast Pennsylvania, the North Carolina Piedmont, and the Blue Ridge area of Virginia. He learned guitar from his dad, banjo from Earl Scruggs and John Hartford records, and fiddle (long since laid down in disgrace) on his own. He attended Columbia College in New York City in 1980 and dropped out in 1982 to focus on the Greenwich Village songwriter scene and other ill-advised pursuits.

In 1983 he moved to Chicago and joined Greg Cahill’s Special Consensus Bluegrass Band. He taught music at Old Town School of Folk Music from 1984 to 1996, and worked as a staff songwriter on Music Row in Nashville from 1993 to 1998. His early solo work — Country Love Songs (1996) and South Mouth (1997) — helped define the “alternative country” movement of the 1990s. His music from the last several years hews mainly to acoustic instrumentation; it returns him in part to his earlier bluegrass days, and extends the boundaries of that tradition with old-time rambles and sparely orchestrated reflections on love, the slings of time, and the troubles of common people.

Radio: multiple appearances on WSM’s “Grand Ole Opry”; PRI’s “Whadd’ya Know”; NPR’s “Fresh Air,” “Mountain Stage,” and “World Cafe”; and the syndicated “Acoustic Cafe” and “Laura Ingraham Show.” TV: PBS’s Austin City Limits; NBC’s TodayLate Night with Conan O’BrienLater with Carson Daly, and 30 Rock. From 2004 to 2008 he hosted an hourlong performance/interview program for XM satellite radio, “Robbie’s Secret Country.” Artists who have covered his songs include Sam Bush, Kelly Hogan, Andrew Bird, Mollie O’Brien, Rosie Flores, John Cowan, and Old 97s.

Robbie’s writing on music and life have appeared in GQBlender, the Chicago Reader, DaCapo Press’s Best Music Writing anthologies for 2001 and 2004,  Amplified: Fiction from Leading Alt-Country, Indie Rock, Blues and Folk Musicians, and A Guitar and A Pen: Stories by Country Music’s Greatest Songwriters. As an instrumentalist, he has accompanied the Irish fiddle master Liz Carroll, the distinguished jazz violinist Jenny Scheinman, and the New Orleans pianist Dr. John. As a producer his credits include Touch My Heart: A Tribute to Johnny Paycheck (Sugar Hill, 2004) and Big Thinkin’ by Dallas Wayne (Hightone, 2000). Theatrical credits include “Woody Guthrie’s American Song” and Harry Chapin’s “Cottonpatch Gospel.”  He served twice as judge for the Winfield National Flatpicking Guitar competition. He tours yearlong with various configurations.

Besides country and bluegrass music, Robbie is fiercely fond of Charles Mingus, P.G. Wodehouse, quantum mechanics, his wife Donna, comedy in almost all forms, cooking, swimming laps, the past, Arthur Schopenhauer, Universal horror movies, his grandson and even his sons, coastal towns in the off-season, and rye whiskey, though in nothing like that order.

Gary Louris

Over the last three decades, singer, songwriter, guitarist and producer Gary Louris has built a deeply compelling body of music whose artistry and integrity has won the loyalty of an international audience and the respect of both critics and his peers. Best known for his seminal work with The Jayhawks, he is one of the most acclaimed musicians to come out of Minnesota’s teeming rock scene.

Concurrent with his time in the Jayhawks, Louris has been a charter member of the part-time alt-rock supergroup Golden Smog, which at various times has included members of Soul Asylum, Wilco, the Replacements and Big Star.

Along the way Louris has produced records by various artists, contributed songs to Grammy Award-winning albums by the Tedeschi/Trucks Band and The Dixie Chicks; and recorded with acts as diverse as the Black Crowes, Counting Crows, Uncle Tupelo, Joe Henry, John Hiatt, Lucinda Williams, Roger McGuinn, Maria McKee, Nickel Creek, Carrie Rodriguez, Tift Merritt and the Wallflowers.

Louris released his first solo album, Vagabonds, in 2008. His long awaited 2nd solo album, Jump For Joy, is scheduled for a summer 2021 release.

EmiSunshine

Rolling Stone named EmiSunshine among “10 new country artists you need to know,” but she is more than country. With music described as “old-timey,” the East Tennessee native adds her own unique contemporary blend of roots music that is equal parts Americana, Bluegrass, Gospel, Blues and Jazz. Many critics have compared her to a young Dolly Parton.

Known for her powerful voice and masterful ukulele-playing, this 15-year-old singer/songwriter has been attracting national attention since she was 9 years old, with appearances on “The Today Show,” NBC’s “Little Big Shots,” “Pickler & Ben,” “Song of the Mountains,” “WoodSongs Old-Time Radio Hour” the Grand Ole Opry (14 times) and elsewhere. In 2018, she was featured in the Grammy-nominated Elvis Presley documentary film “The King,” for which she wrote and performed two original songs—“Johnny, June and Jesus” and “Danny Ray.” In 2019, she received the prestigious ASCAP Foundation Desmond Child Anthem Award for musical excellence.

Emi’s latest album, “Family Wars” (produced by 4-time Grammy-winner Tony Brown), has received outstanding reviews in leading music publications. No Depression says the album “establishes EmiSunshine as a strong creative force… someone bold and talented enough to tackle today’s issues while honoring yesterday’s folk traditions.” American Songwriter says “Family Wars” proves “EmiSunshine is wise beyond her years.” Country Standard Time calls it “a superb album.”

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