In the six years since she signed to John Prine’s Oh Boy Records, Kelsey Waldon has earned wide praise for her “self-penned compositions [with] the patina of authenticity” (Rolling Stone). On her new album, Every Ghost, she confronts addiction, grief, generational trauma, and even herself — and comes through it stronger and at peace.

“There’s a lot of hard-earned healing on this record,” Waldon says of the nine-song project, recorded at Southern Grooves studio in Memphis with her band, The Muleskinners. As she sings in the record’s title track and first song, “Ghost of Myself,” she’s put in the work not only to better herself and leave behind bad habits, but also to learn to love her past selves.

Waldon’s fearlessness is among the reasons she landed at Oh Boy Records in 2019, as the independent label’s first new signee in 15 years. It’s attracted fans to her headline tours and her festival sets, and prompted artists including Tyler Childers, Charley Crockett, Robert Earl Keen, Margo Price, and Lucinda Williams to invite her on tour. It helped earn her both the title of “Kentucky Colonel” — an honor recognizing goodwill ambassadors of Kentucky’s culture and traditions — and a spot in the Country Music Hall of Fame and Museum’s annual American Currents exhibit in 2024.

“True outlaw shit is sticking to your guns, and I feel like I’m doing that,” Waldon says. “I’m not saying I’m unbreakable, but I feel almost unbreakable. I’ve already hurt the worst that I could and lived to tell the story. We can be thankful for our ghosts.”

Olivia Ellen Lloyd will try anything once. From flight attendant school in Dallas to producing theater in New York and teaching in Guatemala, Lloyd sought adventure but struggled to find a greater sense of purpose – until she found her way back to music. Channeling that restless spirit, she writes songs that dig deep for hope in the face of hardship.

Her debut album, Loose Cannon, has been streamed over 1 million times while she has been crossing the country playing shows, winning songwriting contests (like Kerrville in 2023) and generally eating life down to the rind. She also works as an in-demand side woman, singing backing vocals for the likes of Lizzie No, Emily Scott Robinson, and Renee Rapp during her 2024 performance at the All Things Go Festival in Forest Hills, Queens.

Lloyd has spent the past three years doubling down on her efforts to build community within the Alt-Country and Americana scene while deepening her working partnership with Mike Robinson, an in-demand sideman known for touring and recording with the likes of Sarah Jarosz, Railroad Earth, Teddy Thompson, Iris Dement, Lindsay Lou, Bella White, Zach Bryan, Jobi Riccio and Ryan Beatty. Mike served as her producer and primary instrumentalist on this project.

Together they crafted an album that refuses to be placed in a narrow genre definition, focusing instead on building songs that paint a picture of liberation from oppressive patriarchal and paternalistic forces.

She is also a newly inaugurated member of the Resistance Revival Chorus, a collective of more than 60 women, and non-binary singers, who join together to breathe joy and song into the resistance, and to uplift and center women’s voices.

Native Californian Ledger came to music fairly early: he began singing as a young child and started playing old-time and bluegrass music on guitar at age 12. Enamored of early roots music recordings of Appalachian ballads and string bands from the 1930s, he soon discovered the music of Hank Williams and George Jones – he describes it as “a bomb going off in my mind” – and devoted himself wholeheartedly to learning all he could about country music.

After college, he briefly returned to the Bay Area where he played with a bluegrass band, but Nashville’s pull on him was strong. As he explains, “This was a further expression of my archaeological impulse with regard to music-making – I’ve always believed that in order to create something new with purpose, one must be steeped in the past and work from within the tradition.”

Upon his arrival in Nashville, he threw himself into writing and performing and was quickly embraced by the city’s thriving music community. He was signed by Burnett, who brought him to the attention of Rounder. He released his critically acclaimed eponymous debut record in 2020. Three years later, the Shooter-Jennings-produced Golden State followed.