A native of Newfoundland, Keith’s traditional song repertoire is based in Eastern Canada and Quebec as well as his current home, Vermont. His direct and intimate style of traditional singing in English and French infuses old ballads and songs with a powerful immediacy while his rhythmic and percussive finger style of guitar playing brings new shape and color to his songs.
Keith was a founding member of Nightingale, a trio which broke new ground in its sophisticated approach to traditional music. He is a mainstay of the Boston fiddle extravaganza, Childsplay and has also worked extensively with Tony Barrand on the song repertoire from the early twentieth century of the Atwood family from Dover, Vermont. He also appears frequently with his wife, fiddler Becky Tracy as well as part of the Hanneke Cassel Trio.
Daymark is an international trio performing traditional Irish music infused with infectious energy, raw power, and Northern swagger. Fusing the talents of Will Woodson (flute, uilleann pipes), Dan Foster (fiddle) and Eric McDonald (guitar, vocals) the group presents a classic blend of wind and string as driving flute meets virtuosic fiddle, underpinned by well-considered and expertly delivered guitar.
Each member of the trio had carved their individual musical pathways and style from diligent listening and study, extensive travels, and numerous performances in Ireland, Scotland, England, America, and Canada before meeting at the Northern Roots Festival in Vermont during the winter of 2016. Over a long night of music, they discovered a natural and complementary fit of individual styles, as a well as a mutual interest in the same corners of the Irish tradition. Sharing a love for the music of generations past, in Daymark’s sound one can hear the echoes of Irish-American dance halls from the 1920s and 30s, alongside the lonesome tones of Donegal country fiddlers and the rollicking smoky pubs of Northern England’s immigrant neighborhoods. Taken together, these influences merge into a music that’s very much part of the present; it’s a sound that’s urgent and wild, held together by camaraderie that’s quite audible. This is the foundation of their music. What emerges is intimate enough feel at home down at the local pub, big enough to fill a festival stage or a concert hall.
With engaging stage presence and masterfully-crafted music, Boston-based Matt & Shannon Heaton offer well-travelled Irish music from the heart. Steeped in sessions in County Clare and brewed in the acoustic music scenes of Chicago & Boston, their flute/guitar/bouzouki instrumentals and sweet husband-and-wife harmony singing draw deeply from the Irish tradition.
Since their move to Boston in 2001, the Heatons have become an integral part of Boston’s vibrant trad music scene. Shannon co-founded the Boston Celtic Music Fest in 2003.
Shannon was named 2016 Massachusetts Cultural Council Traditional Artist Fellow. The Irish American News dubbed her Female Musician of the Year (2009) and Live Ireland nominated her Female Musician of the Year 2010 and 2011. She’s been compared to Alison Krauss and Altan’s Mairéad Ní Mhaonaigh for her combination of vocal grace and instrumental prowess on Irish flute, whistles and accordion. She is also an acclaimed arranger and composer, and has published two instructional Irish music books.
In addition to his acclaimed work as an Irish accompanist on guitar and bouzouki, Matt has also received multiple Massachussetts Cultural Council Grants for his work with kids (he’s got two CDs of original rockabilly-tinged music for children and discerning parents). He fronts surf-rock band Electric Heaters and also holds a master’s degree in classical guitar. For his creative chording and driving grooves, Matt has been called “a combination of Bill Frisell and Arty McGlynn.”
Matt and Shannon are poised, passionate American performers with Irish roots and universal appeal. They are comfortable onstage and have a warm connection with their audiences. They move listeners with their love of traditional music (and each other), and their sense of adventure and fun in exploring new directions and possibilities.
JigJam are a multi-award winning quartet from the heart of the midlands in Ireland. Blending the best of traditional Irish music with Bluegrass and Americana in a new genre which has been branded as ‘I-Grass’ or “CeltGrass”, their onstage energy along with their virtuosic musical ability has captivated audiences throughout the world.
Jamie McKeogh, Cathal Guinan and Daithi Melia all hail from Tullamore, Co.Offaly with Co. Tipperary born Gavin Strappe completing the quartet. All four members grew up immersed in Irish traditional music and culture which is reflected by the band collectively achieving over twenty All-Ireland titles at Fleadh Cheoil na hÉireann competitions. They have now developed their own unique style of music influenced by American Folk music whilst staying true to their Irish roots. Described as ‘The best Irish group so far in bluegrass’ this sharply dressed outfit deliver an energy-fuelled, foot-stomping live performance. All multi-instrumentalists, JigJam interchange between banjos, guitars, fiddles, mandolins and double bass onstage which creates an experience which is pleasing to both the eye and the ear.
Gus La Casse and Eamon Sefton met when they joined forces at the legendary Club Passim as part of the 2018 Boston Celtic Music Festival.
Eamon, a guitarist known for percussive rhythm and clever use of harmony, is a sought-after Celtic-style guitarist from the Boston area.
Gus, based in Downeast, Maine, is a dynamic folk fiddler with both speed and savage energy, playing a repertoire reflective of his innovative spirit and dedication to the Acadian and Cape Breton fiddle traditions.
Together, Gus and Eamon will feature the lively kitchen party music that is sure to make you want to clap your hands, stomp your feet and dance!
Winner of the 2016 BBC Radio 2 Young Folk Award, and 2017 Scots Trad Music Awards ‘Up and Coming’ nominee, Skye musician and piper Brighde Chaimbeul is one of Scotland’s fastest rising stars.
A native Gaelic speaker, her style is rooted in her indigenous language and culture, but draws inspiration from a variety of piping traditions such as from Cape Breton, Eastern Europe and Ireland. Growing up in a musical family in Sleat on the Isle of Skye, she was no stranger to the sound of the pipes, and indeed the sound of music at home. Inspired by hearing the playing of Rona Lightfoot she began learning at the age of 7 with local tutor and award winning piper Niall Stewart.
Brighde met pipe makers, players and revivalists Fin and Hamish Moore in 2014 where she was introduced to the smallpipes, and since has developed a unique style which has captured audiences across the globe. Mark Radcliffe of BBC Radio 2 described her playing as “mesmerising”, and Tim Chipping of renowned music magazine, fRoots as “exceptional”. She has collaborated with many established artists over the years, most recently including Ross Ainslie, John McSherry, Paul Meehan, Aidan O Rourke, Carlos Nunez, Allan MacDonald.
Recent performance highlights include appearances at major festivals including Cambridge Folk Festival, Celtic Connections, Fairport’s Cropredy Convention, Piping Live and Wickham Festival, as well as featuring on various TV programmes, series Port, Seirm, Trad ar Fad and the BBC Alba Hogmanay show.
Miles of Music Island Camp is a week-long retreat exploring traditional folk music, modern songwriting, and how they work together. The week includes classes, dances, jams, great food and plenty of free time on a gorgeous private island in New Hampshire’s Lake Winnipesaukee. We teach fiddle, banjo, guitar, mandolin, bass, singing, and occasionally other instruments, and we also have instruction for non-instrument-specific musical skills like songwriting, ear training, ensemble playing, and performance. All ages and abilities are welcome.
Our staff and guest artists are a mix of renowned touring professionals, players steeped in regional traditional music styles as well as up-and-coming original musicians. With 120 creative people including instructors, guest artists, kitchen staff, boat pilots and students, we become a vibrant village for one week. There are moments of jamming and dancing in large groups as well as opportunities to steal away for one-on-one song sharing or tunes on the porch.
Multi-instrumentalist, producer, step dancer and host of the TradCafe podcast, Neil Pearlman is a vital and distinctive voice in contemporary folk music. Described as “a tremendous pianist” on BBC Radio Scotland and “a force to be reckoned with” by WGBH’s Brian O’Donovan, Neil is best known for his groundbreaking approach to the piano in Celtic music. Motivated by a deep musical curiosity and a love of collaboration, his playing is continually evolving and spontaneous without losing its roots in the traditional piano styles of Atlantic Canada, New England and Scotland. He has appeared internationally at major festivals such as the Newport Folk Festival, Celtic Connections in Glasgow, Celtic Colours in Cape Breton and the Orkney Folk Festival and has recorded or performed with luminaries of traditional folk music including Natalie MacMaster, Darol Anger, Seamus Egan and Alasdair Fraser.
Neil’s deep love of the Gaelic music traditions has seen him welcomed into spaces that few other Americans have been. He was selected for the 2025 Shannon Residency at Beinn Mhabu in Cape Breton and has performed and guest lectured at the Irish World Academy of Music and Dance at University of Limerick, Ireland and the National Centre of Excellence in Traditional Music in Plockton, Scotland. His first solo piano album Refractions features frequently on BBC Radio nan Gàidheal and BBC Radio Scotland and his 2020 release with Shetland fiddler Kevin Henderson received 5 stars from Scotland’s national newspaper The Scotsman.
In addition to touring regularly with Kevin Henderson, the Pine Tree Flyers, and as a solo pianist, Neil teaches at festivals throughout North America and Europe and has guest lectured at Berklee College of Music, Northeastern University and the aforementioned University of Limerick. He co-directs an annual St. Patrick’s Day concert with Katie McNally at Groton Hill Music Center and releases podcasts and video collaborations with musicians from around the world through his production company TradCafe.
Katie McNally grew up playing Scottish and Cape Breton music near Boston, Massachusetts and currently tours with her own projects, Fàrsan, Pine Tree Flyers, and the Katie McNally Trio. A member of the cross-genre fiddle supergroup, Childsplay, Katie has also toured with Karan Casey, John Whelan, and Galician bagpiper Carlos Núñez.
Now More Than Ever was recorded with the guidance of producer Anna Massie (Blazin’ Fiddles) and released Dec. 4, 2020. Her 2016 album, The Boston States, which explores the historic ties between her hometown of Boston, MA and Cape Breton, has been featured on NPR (The World, Thistle and Shamrock) and was hailed as “one of the best modern Cape Breton records of the past ten years” by Irish Music Magazine.
She has appeared at Celtic Colours, Celtic Connections, Newport Folk Festival, and The Festival of American Fiddle Tunes, as well as countless folk venues throughout North America and Europe. In addition to her busy touring schedule, she is the artistic director of the Boston States Fiddle Camp and is a devoted educator who teaches regularly at fiddle camps across the country and gives private lessons at her home in Portland, Maine.
Irish fiddle virtuoso Martin Hayes and American guitarist Dennis Cahill possess a rare musical kinship, ranking them among the most memorable partnerships of our era. Together they have garnered international renown for taking traditional music to the very edge of the genre, holding listeners spellbound with their slow-building, fiery performances.
Hayes is a master of the slow, lyrical County Clare style of fiddling which he learned from his well-known father, P Joe Hayes. He is regarded as one of the most extraordinary talents to emerge in the world of Irish traditional music. Cahill is a sublime guitarist whose spare, essential accompaniment is acknowledged as a major breakthrough in the Irish tradition. He was raised in Chicago by parents from the Dingle Peninsula, County Kerry. The two met in Chicago in the 1980s, and after early years as an experimental Irish fusion group they formed their groundbreaking duo. Martin and Dennis have gone on to tour the world, appearing at major concert halls including Lincoln Center and the Royal Albert Hall, and have three acclaimed albums on Green Linnet/Compass Records.
After more than twenty years at the forefront of traditional music, Hayes and Cahill are still breaking new ground. As The Irish Times declares, “If your live music rations were limited to a single concert in the entire year, you’d be either crazy or foolish not to pass that precious time in the company of Martin Hayes and Dennis Cahill.”
