Fog Holler

Fog Holler is a bluegrass band with an edge. What gives them that edge is a topic of hot debate. For some, it’s musicianship – these bluegrass cats shred. For others, it’s the songwriting, traditional in style but topical in substance. Sometimes, they undeniably snare people with the squad factor – folks see 4 grown adults in matching monochrome, and they get curious. The secret, according to Fog Holler, is simply that they write and play bluegrass in 2024, with similar intention but very different context from the genre’s originators. Inspired by a range of influences from The Stanley Brothers to Buck Owens to Meshuggah, Fog Holler breathes fresh life into well worn forms like the murder ballad and the power waltz. Described by two-time Grammy Award Winner Cathy Fink as “The next generation of the many shades of grass”, Fog Holler’s captivating tunes and coordinated outfits are quickly enthralling longtime bluegrass fans and newcomers alike.

Micah Nicol

Micah Nicol grew up with a mandolin in one hand and a banjo in the other playing bluegrass and classic country music with his father.  Micah has had stints as a semi-professional actor, competitive ballet, tap, jazz and ballroom dancer, and was awarded Best Performer and Best Male Soloist a record six times as part of Singsation, a show choir from Wapakoneta, Ohio. He received his Music Production & Engineering degree from Berklee College of Music as a pianist and now spends most of his musical life as a guitarist and singer for The Ruta Beggars and Bookmatch. Micah has a deep love for musical theater and content creation and lives parallel lives as a magician, uni-cyclist, and clown.

Dan Klingsberg

Dan is an experienced jazz, roots and bluegrass bass player based in Brooklyn, NY.  He plays and tours with a number of groups including Mudskippers, PRNCX, Ben Krakauer, and The Ladles. He has performed with Darol Anger, Joe Morris, Peter Rowan, Stuart Duncan, and many others.  He graduated from New England Conservatory in 2019.

Big Richard

The world-class musicians in Big Richard initially convened in 2021 for a festival date. The quartet showed up to the one-off like it had been together for years, bursting with jaw-dropping virtuosity; playfully irreverent stage banter; stunning four-part harmony vocal interlace; imaginative arrangements; a refreshingly eclectic repertoire; and a healthy dose of lady rage.

Quickly things for the Colorado-based, neo-acoustic supergroup morphed into something way bigger than a one-and-done appearance. The sellout club shows, and the confirmed festival dates across America drastically changed its members’ lives. Now, Big Richard is poised to penetrate the Americana music world and beyond. To date, the quartet has issued 3 singles, the Live from Telluride album, and it has new music on the way.

Big Richard siphons from traditional bluegrass, oldtime, classical, modern bluegrass, country, and pop. The four-piece band masterfully mash up genres, often using traditional fiddle tune pieces as instrumental flights of fancy between its storyteller original songs. The group also refreshingly reinvents beloved traditional tunes.

The four musicians have previously played together in various configurations, but united to rage fiddle tunes and smash the patriarchy in Big Richard. The band is platinum recording artist Bonnie Sims on mandolin (Bonnie & Taylor Sims, Everybody Loves an Outlaw, Bonnie and the Clydes), multi-genre musician Dr. Joy Adams on cello (Nathaniel Rateliff, Darol Anger, Half Pelican, Bruce Hornsby, Bobby McFerrin, Chick Corea, Ben Folds), Hazel Royer on bass and guitar, and Eve Panning on fiddle (Lonesome Days, TEDx, Barrage, Hollywood Film Score Orchestra).

Ben Krakauer

I am a banjo player and composer rooted in bluegrass, jazz, and new acoustic music. I have toured with David Grisman, was a founding member of Old School Freight Train, and have recorded for Acoustic Disc, Adhyâropa Records, CMH Records, and the Fiddle Masters series. My debut solo album, Heart Lake, includes twelve original tunes with Duncan Wickel on fiddle and cello, Nick Falk on drums, and Dan Klingsberg on bass. My 2023 follow-up album, Hidden Animals, features the same musicians with the addition of Ella Jordan on fiddle. I am also an ethnomusicologist and Assistant Professor of Music and Traditional Music Program Coordinator at Warren Wilson College.

Eric Royer

Eric Royer has been performing as a Bluegrass banjo player and vocalist for over 25 years with his unique One Man Band and in the Boston-based band the Resophonics (Boston Music Award Winner-Best Roots/Americana Act). Royer has been a member of several long term music residencies, the latest being his band The Royer Family Band’s weekly show at Atwoods Tavern.

AJ Lee & Blue Summit

AJ Lee & Blue Summit are an award-winning energetic, charming, and technically jaw-dropping band quickly rising on the national roots music scene. Based in Santa Cruz, California, the group met as teenagers, picking and jamming together as kids at local music festivals and jams until one day, they decided they would be a band. “Our roots go really deep,” explains de facto band leader Lee. “We met when we were young kids… We definitely decided to choose each other as a chosen family band later on in life, but in a lot of ways it was naturally just like that in the beginning.” “It was like one of those late at night things,” she continued. “We were sitting on a trailer at Grass Valley” at the annual Father’s Day Bluegrass Festival held in the Sierra Nevada foothills – “Someone said, ‘All of us right here, we’re a band now.’ We kind of didn’t take it seriously, but we were like, okay, we’ll be a band!”

And thank goodness they became a band. Their first gigs were local, small venues, cafes, restaurants, coffee shops, where they’d play for multiple hours honing their set list and learning shared musical vocabularies. Now, as they criss-cross the country performing hundreds of shows a year to larger and larger audiences, you can sense the intention they had back then – to make music together not for just aspirational reasons, but because it’s fun – and it’s all you want to do as young musicians. Currently made up of Lee on mandolin, fiddler Jan Purat, and guitarists Scott Gates and Sullivan Tuttle, the band carries that youthful, festival-parking-lot energy with them still today, but at the same time there’s a genuine ease and confidence to their music making. This is not the bluegrass of ambitious musicians intent on industry success, this is music made firstly for the joy of making it and primarily made for each other. It’s part of why, as they ready their third studio album, City of Glass – their first label release, out July 19th via Signature Sounds – their product feels mature and fully realized, while deep in the Blue Summit pocket.

Members:
AJ Lee, lead vocals, mandolin
Scott Gates, guitar
Sullivan Tuttle, guitar
Chad Bowen, bass
Jan Purat, fiddle

The Charles River Ducklings

This brand-new all-female bluegrass group is ready to hit the ground running with a formidable arsenal of rip-roaring fiddle tunes, tear-jerking songs, harmonies on harmonies on harmonies, and a downright contagious sense of groove. Coming from a variety of musical, geographical, and even generational backgrounds, these five women combine to bring you melodies you know and love from the bluegrass and old-time traditions. The members are as follows: Gretchen Bowder on banjo, Micah John on Guitar, Lillian Chase on fiddle, Cecily Mills on cello, and Hazel Royer on bass.

Larry & Joe

Larry & Joe were destined to make music together.

Larry Bellorín hails from Monagas, Venezuela and is a legend of Llanera music. Joe Troop is from North Carolina and is a GRAMMY-nominated bluegrass and oldtime musician. Larry was forced into exile and is an asylum seeker in North Carolina. Joe, after a decade in South America, got stranded back in his stomping grounds in the pandemic. Larry works construction to make ends meet. Joe’s acclaimed “latingrass” band Che Apalache was forced into hiatus, and he shifted into action working with asylum seeking migrants.

Currently based in the Triangle of North Carolina, both men are versatile multi-instrumentalists and singer-songwriters on a mission to show that music has no borders. As a duo they perform a fusion of Venezuelan and Appalachian folk music on harp, banjo, cuatro, fiddle, maracas, guitar, upright bass, and whatever else they decide to throw in the van. The program they offer features a distinct blend of their musical inheritances and traditions as well as storytelling about the ways that music and social movements coalesce.


Larry & Joe estaban destinados a hacer música juntos.

Oriundo de Monagas, Venezuela, Larry es una leyenda de la música llanera. Proveniente de Carolina del Norte, Joe es un músico de bluegrass y oldtime que fue nominado para un GRAMMY. Larry tuvo que exiliarse a Carolina del Norte y es solicitante de asilo. Joe, después de una década en Sudamérica quedó varado en su tierra natal por la pandemia. Larry trabaja en construcción para llegar a fin de mes. Cuando el ascenso de su renombrada banda Che Apalache se detuvo, Joe pivotó para trabajar con migrantes solicitando asilo.

Actualmente basados en el Triángulo de Carolina del Norte, ambos hombres son multi-instrumentistas versátiles con una misión de mostrar que la música no tiene fronteras. Como dueto tocan una fusión de folklore de Venezuela y de los montes Apalaches en arpa, banjo, cuatro, violín, maracas, guitarra, contrabajo y cualquier otra cosa que decidan subir a la camioneta. Como músicos su programa ofrece una mezcla única de sus diversas herencias y tradiciones, y cómo cuentacuentos demuestran cómo la música y los movimientos sociales interactúan.

 

Micah John

Micah A. John is a Boston-based multi-instrumentalist, vocalist, and singer-songwriter. She plays American Roots Music of several types, including Old Time songs and tunes, Bluegrass, Folk, Country, and Americana.

As a 3-year-old, Micah saw Jake Armerding play fiddle at Club Passim and was determined that she was going to learn to play the fiddle someday.  She hung on to that desire, and at age 9, after a friend gave her an old student fiddle, she began taking lessons from Bronwyn Keith-Hynes. Across the last 8 years, Micah has been fortunate to study fiddle with several amazing teachers, including Bronwyn, Bobby Britt, and Bruce Molsky.  Micah also plays and studies guitar, and she can contribute to a song on mandolin, bass, and clawhammer banjo as well.

Micah was accepted into the Berklee City Music High School Academy as a vocalist, beginning in her freshman year of high school and is now in her third year as a City Music Scholar. Additionally, she received the City Music Scholarship to attend the 2021 Aspire Five-Week Program at Berklee College Of Music, where she studied music theory and string music.

Micah has competed and placed in several competitions. Locally, at the Lowell Banjo & Fiddle Contest she has placed in Twin Fiddle (1st in 2022 with Lillian Chase, and 1st in 2021 with Rosalie Coleman), in Old Time Fiddle (2nd in 2022, and 3rd in 2021), in Bluegrass Fiddle (1st in 2019), and in the Youth Division (Honorable Mention in 2018, and 2nd in 2017).  In 2022, at Clifftop, Micah placed 3rd in Youth Fiddle. In 2021, at the virtual Deer Creek Fiddlers Convention Contest, she placed 2nd in the Open Vocal division and 3rd in the Open Bluegrass Fiddle division.

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