Adam Sherman

Vocalist, performer, songwriter Adam Sherman was the voice of A&M recording artists Private Lightning, lead singer and songwriter of The Souls and member of The Nervous Eaters. He has been nominated for six Boston Music Awards. Songbird, River of Dreams and Triangle Sky are Adam’s critically acclaimed full-length solo albums. He performs regularly with the Adam Sherman Band.

Adam’s song “Don’t Need to Make You Mine” performed by The Nervous Eaters was “Coolest Song In the World This Week” on Little Steven’s Underground Garage for the last week of April 2024.

Robert Thomas & the Sessionmen

International Acoustic Music Award winner, Robert Thomas has crafted songs for legends including, Kenny Rogers, Bonnie Raitt, Joe Cocker and the Dixie Chicks. As a staff writer for music publishing, Thomas was tasked with writing hits and his diverse repertoire reflects that. He writes songs we can all connect with – memorable sing along melodies, clever, ear friendly lyrics couched in an array of rhythms – all introduced with a captivating, often humorous, repartee that is a throwback to the story telling era of Mark Twain, Garrison Keillor and Stuart Maclean. Accompanied on fiddle, mandolin, guitar, keyboards and percussion by the legendary “sessionmen” – Ray Legere and Jon Arsenault- whose credits in their own right include, Alison Krauss, Rita MacNeil, Doc Watson, Tony Rice and The Chieftains – Thomas delivers beautiful, energetic Folk/Americana mixed with a touch of Bluegrass that has captivated audiences across North America and Europe, and garnered Entertainer of the Year and songwriter nominations from the East Coast Music Association and the International Acoustic Music Awards.

One sentence from Rodney Crowell sums up the artistry of Robert Thomas and the sessionmen – “These boys know what they’re doing.”

Olivia Ellen Lloyd

Olivia Ellen Lloyd will try anything once. From flight attendant school in Dallas to producing theater in New York and teaching in Guatemala, Lloyd sought adventure but struggled to find a greater sense of purpose – until she found her way back to music. Channeling that restless spirit, she writes songs that dig deep for hope in the face of hardship.

Her debut album, Loose Cannon, has been streamed over 1 million times while she has been crossing the country playing shows, winning songwriting contests (like Kerrville in 2023) and generally eating life down to the rind. She also works as an in-demand side woman, singing backing vocals for the likes of Lizzie No, Emily Scott Robinson, and Renee Rapp during her 2024 performance at the All Things Go Festival in Forest Hills, Queens.

Lloyd has spent the past three years doubling down on her efforts to build community within the Alt-Country and Americana scene while deepening her working partnership with Mike Robinson, an in-demand sideman known for touring and recording with the likes of Sarah Jarosz, Railroad Earth, Teddy Thompson, Iris Dement, Lindsay Lou, Bella White, Zach Bryan, Jobi Riccio and Ryan Beatty. Mike served as her producer and primary instrumentalist on this project.

Together they crafted an album that refuses to be placed in a narrow genre definition, focusing instead on building songs that paint a picture of liberation from oppressive patriarchal and paternalistic forces.

She is also a newly inaugurated member of the Resistance Revival Chorus, a collective of more than 60 women, and non-binary singers, who join together to breathe joy and song into the resistance, and to uplift and center women’s voices.

Water Street Wranglers

The Water Street Wranglers are an Boston-based Americana band with strong roots in bluegrass and a passion for mixing traditional and contemporary sounds. This quintet mixes driving bluegrass standards with fresh, ear-catching originals in each set, and their signature sound is completed by their 3-part harmony singing. The band features Chandler Harris on lead vocals, Caleb Kibby on mandolin and vocals, Aiden Schnell on guitar and vocals, Alayna Whitkanack on fiddle and vocals, and Wes Shuck on the four string upright bass and the one string Yo-Yo.

Annie Lynch

Annie Lynch is a singer, songwriter, guitarist, and leader of the internationally touring Americana band, Annie and The Beekeepers. She has performed at SXSW, Philadelphia Folk Festival, UK’s End of The Road, Bristol Rhythm and Roots Reunion, and has shared stages with The Lumineers, Josh Ritter, Justin Townes Earl, and Scott McMicken (Dr Dog) amongst others. Since their 2007 debut, Annie and The Beekeepers have released two albums and an EP, including their most recent full-length, “My Bonneville”, titled after Annie’s first car. Annie has received wide ranging critical praise from publications like The Boston Globe, Washington Post, American Songwriter, Paste Magazine, and Filter. Performer Magazine refers to Annie’s music as “American roots music, sweetly intimate with vast boot-stomping songwriting”.

Driftwood

Music has guided Driftwood to hallowed ground many times since its founding members, Joe Kollar and Dan Forsyth, started making music as high schoolers in Joe’s parents’ basement. Whether the Upstate New York folk rock group—which today also includes violinist Claire Byrne, bassist Joey Arcuri, and drummer Sam Fishman—are converting new fans on a hardscrabble tour across the country or playing to a devoted crowd at hero Levon Helm’s Woodstock barn, the band’s shapeshifting approach to folk music continues to break new ground. And yet in many ways Driftwood’s latest work, the transformative December Last Call, finds the group coming home.

Recorded in that very same basement where the Driftwood dream began, December Last Call lyrically reflects on the recent past, musing on the ways the group grew up, together and apart, through curveballs like new parenthood or pandemic shutdowns. But sonically, the band’s sixth album looks confidently to the future, experimenting with new sounds while staying true to the bluegrass roots that built them. Across the album’s nine tracks, the band often leans into hard-rocking electric guitars and driving percussion: On “Every Which Way But Loose,” we get a foot-tapping beat and a sweeping chorus, and on “Up All Night Blues,” the band shines with an ambling, sing-along-able reflection on the challenges of new motherhood. But other tracks, like standout closer “Stardust,” take a simpler route, allowing bare-bones vocals and acoustic instrumentals to underpin a deeper emotional message.

One of Driftwood’s biggest differentiators—and perhaps its biggest strength—is the sheer breadth of talent in its lineup, with Claire, Joe, and Dan all contributing as songwriters and vocalists. This creative push-pull, where each selects songs to share with the group and record together, bakes vulnerability and collaborative spirit into every recording. “It’s at the heart of what we do,” says Dan. “Everybody has a strong love for songs, for songwriting, and we each appreciate everybody else and the way that they contribute to that.”

While 2019’s acclaimed Tree of Shade tapped Simon Felice as producer, the band opted to self-produce this latest effort, leaning into their creative impulses and striving to capture their distinctive live energy. Figuring out how to channel that on-stage intensity into a recording has actually, in many ways, been a lesson in restraint. “When I look back at the things we were writing and playing, oh, I don’t know, 10, 12 years ago, they were really arranged: a lot of you do this here, we’re going to do this there, we’re going to break down, we’re going to do a big build,” Claire explains. “These days, it’s more like, ‘Let’s play the song and just see what happens.’”

This approach makes all the more sense when you consider Driftwood’s live shows, which operate not only as effervescent, twang-studded musical parties, but also as reunions for their throng of devoted listeners—folks who have started to feel less like fans and more like something bigger. “They’re supporters. They’re friends,” explains Joe. “It’s crazy how much love we’ve got and how many wild situations on the road we’ve gotten out of because of those people.” Many of them are quite literally invested in the band’s future: December Last Call was a crowd-funded effort, and it wasn’t the band’s first. It’s as if every listener, ticketbuyer, album backer, and general band evangelist is in on Driftwood’s biggest secret: this whole band thing has endured for nearly two decades because it offers a kind of community you can’t get just anywhere.

Logan Ledger

Native Californian Ledger came to music fairly early: he began singing as a young child and started playing old-time and bluegrass music on guitar at age 12. Enamored of early roots music recordings of Appalachian ballads and string bands from the 1930s, he soon discovered the music of Hank Williams and George Jones – he describes it as “a bomb going off in my mind” – and devoted himself wholeheartedly to learning all he could about country music.

After college, he briefly returned to the Bay Area where he played with a bluegrass band, but Nashville’s pull on him was strong. As he explains, “This was a further expression of my archaeological impulse with regard to music-making – I’ve always believed that in order to create something new with purpose, one must be steeped in the past and work from within the tradition.”

Upon his arrival in Nashville, he threw himself into writing and performing and was quickly embraced by the city’s thriving music community. He was signed by Burnett, who brought him to the attention of Rounder. He released his critically acclaimed eponymous debut record in 2020. Three years later, the Shooter-Jennings-produced Golden State followed.

Darren Buck

Raised in a small town west of Boston, Darren Buck received a BFA in Advertising Design from Syracuse University. After a decade in New York City working as an artist and performer, he returned to Massachusetts to become an art educator. Now in his eighteenth year, he’s the proud holder of a Masters of Science in Art Education from MassArt, and continues to pursue visual arts and music-related endeavors outside the classroom.

Along with fiddler Annie Bartlett and guitarist Michale Loria, he founded the soulful Americana band Hank Wonder. They have released two acclaimed records; Little Mysteries (2017) and Waylaid (2021).

Paul Rishell & Annie Raines

For over 30 years Paul Rishell & Annie Raines have been hailed as one of the world’s best blues duos. They have recorded 6 albums together including the W.C. Handy Award-winning Moving to the Country (2000), and received numerous award nominations from the Blues Foundation. They have performed and recorded with John Sebastian, Susan Tedeschi, Pinetop Perkins and Rory Block. They have opened for Ray Charles, Dr. John, and Little Feat, and performed on international radio and TV shows including Late Night with Conan O’Brien and A Prairie Home Companion. They continue to perform American roots music and their own compositions at festivals, concert halls, and clubs all over the world. As a working team, Paul and Annie have racked up hundreds of thousands of miles on the road in the U.S. and Europe, collaborated on original songs, and released the Blues Foundation Award nominated TALKING GUITAR , I WANT YOU TO KNOW (Tone-Cool/Artemis 1996), MOVING TO THE COUNTRY(2000), the W.C. Handy Award winner for Acoustic Blues Album of the Year, and GOIN’ HOME (2004), which was nominated for two Handy Awards.

Paul Rishell and Annie Raines’s sixth project together, TALKING GUITAR was released in 2012 and received 2 Nominations for the Blues Foundation’s Blues Music Awards. It features Paul returning to the bare essence of country blues, with stunning solo performances of gems by Lead Belly, Blind Boy Fuller, Skip James and others, with Annie joining in on a few tunes. It is stark, stripped down and intimate. Their previous album, the live recording “A NIGHT IN WOODSTOCK” was released in 2008 as a CD and in 2009 as a DVD on their own Mojo Rodeo label, and distributed internationally by Burnside Distribution, each release earning multiple Blues Music Award nominations. The live concert features special guests John Sebastian, Bruce Katz, and Paul and Annie’s own backing band joining the duo for an eclectic, high-energy set of acoustic and electric originals and classic blues songs.

Paul and Annie are equally passionate about their craft and devoted to the study and performance of a wide range of blues styles, from the syncopated acoustic guitar wizardry of Blind Lemon Jefferson and Son House to Chicagoan “Little” Walter Jacob’s swinging amplified harmonica. Paul has reached what Boston Phoenix writer Ted Drozdowski called “a place deep and resonant as Robert Johnson’s crossroads, where authenticity, soul, and a sense of purpose and commitment ring out in every note he sings and plays.” Annie has added vocals, mandolin, piano, and other instruments to her musical arsenal, while being recognized by top professionals and fans worldwide as the “queen of the blues harmonica.” Says blues legend Pinetop Perkins, “She plays so good it hurts!”

Touring internationally at festivals, clubs, and concert halls, and teaching workshops and seminars, Paul Rishell & Annie Raines have earned loyal fans around the globe. Paul and Annie are featured in the new jug band music documentary, Chasin’ Gus’ Ghost, which debuted at the San Francisco Film Festival in August 2007. They have performed on diverse radio and TV shows including A Prairie Home Companion, Late Night with Conan O’Brien, and PBS’s Arthur. They have performed and recorded with Susan Tedeschi, John Sebastian, Pinetop Perkins, and Rory Block. Susan Tedeschi recorded an “unplugged” version of Paul’s Blues on a Holiday with Paul and Annie for her 2003 release, Wait For Me.

“W.C. Handy Award-winners Rishell & Raines are rousing interpreters of country blues, the original acoustic style that gave birth to electric blues, R&B, and rock. While their guitar, harmonica, and vocals are roiling, muscular, and masterful, their shows are down home-friendly and fun-loving.” –Scott Alarik, BOSTON GLOBE

Sons of Town Hall

Introducing Sons of Town Hall, the theatrical-folk duo of Ben Parker — celebrated British singer/songwriter/producer and David Berkeley — beloved American singer/songwriter/author. Dressed in threadbare Victorian outfits and armed with old, weather-beaten Gibson guitars, their show is part concert, part performance art, and unlike anything you have ever seen. Whilst crossing the Atlantic on a raft of their own making, Sons of Town Hall crafted songs of wonder and woe, heartbreak, and hope. Their harmonies are sublime. Their stories are hilarious.

In late 2024, Sons of Town Hall will release their sophomore album and an accompanying podcast series. Hosted by British actor Oliver Maltman, the podcast, entitled “The Adventures of the Sons of Town Hall,” is produced in the style of old radio theater — complete with beautifully scored music and lush soundscapes. Each of the fifteen globe-spanning episodes tells one of the duo’s many adventures drawn from their mythic lives together and features a brand-new song from the forthcoming album.

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