Regie Gibson

• Storytelling/Spoken Word

Poet, songwriter, author, workshop facilitator, and educator Regie Gibson has performed, taught, and lectured at schools, universities, theaters and various other venues on two continents and in seven countries including Havana Cuba. Regie and his work appear in the New Line Cinema film love jones, based largely on events in his life. The poem entitled “Brother to the Night (A Blues for Nina)” appears on the movie soundtrack and is performed by the film’s star, Larenz Tate. Regie performed “Hey Nappyhead” in the film with world-renowned percussionist and composer Kahil El Zabar, composer of the score for The Lion King musical.

Regie has worked with: Gwendolyn Brooks, Roy Ayers, Fareed Haque, Kurt Vonnegut, David Amram, The Monks of the Drepong Gamong Monastery, members of the world famous AACM (Association for the Advancement of Creative Musicians), Mos Def, David Murray, Sterling Plumpp, Marc Smith, Mark Strand, Reg E. Gaines, Savion Glover, John Legend and many other artists in musical genres including World, Celtic, Jazz, Blues and, Salsa, and classical European.

Regie is a former National Poetry Slam Individual Champion, was selected one of Chicago Tribune’s Artist of the Year for Excellence for his poetry. He has co-judge the Chicago Sun-Times Poetry Competition with Marc Smith and Mark Strand, has been regularly featured on N. P. R. and has appeared on HBO’s Def Poetry Jam.

“Regie, when you perform, you are supersonic and in the stratosphere, where you can see that the Earth really is a ball, moist, blue-green. Regie, you sing and chant for all of us. Nobody gets left out.” -Kurt Vonnegut

Alastair Moock

• Folk
• Singer/Songwriter

Alastair Moock is an award-winning singer-songwriter; a Grammy-nominated family musician; a social justice and songwriting educator for all ages; and co-founder of The Opening Doors Project, an anti-racist music organization. He has toured throughout the U.S., Europe, and Asia, performing at renowned events like the Newport Folk Festival and Scotland’s Celtic Connections. The Boston Globe called him “one of the town’s best and most adventurous songwriters” and The Washington Post declared “every song a gem.”

Kemp Harris

• Blues
• Folk
• Jazz
• Roots

Kemp Harris defies categorization. He is a singer and songwriter, a master weaver of American musical styles. He’s an actor, activist, author, and storyteller, and an award-winning educator who has taught young public school students for more than 40 years.  

“It’s all about communication,” Kemp says. “Everything I do.”

Born in segregated Edenton, North Carolina, and transplanted to Massachusetts, where he bounced between relatives’ homes, Kemp learned to adapt to whatever world he found himself in – a talent that has come to define him as a person and an artist. He began writing songs at 14 and recording them in college, using a pair of old cassette players to track parts, and has been delighting music lovers ever since with his earthy, soulful creations.

Kemp honed his powerful, intimate performance style in Cambridge’s coffeehouses, developing into a magnetic frontman who has shared stages with artists such as Koko Taylor, Livingston Taylor, Gil Scott-Heron, Kandace Springs and Taj Mahal. He has composed original music for the Alvin Ailey American Dance Theater and Complexions Contemporary Ballet, established a songwriting residency at Boston’s Wang Theater, and recently delivered a series of master classes at Berklee College of Music on the subject of Artists as Activists, alongside Chad Stokes of the band Dispatch and members of the dance troupe Urban Bush Women.

Kemp’s most recent album, Edenton, featuring vocals from the legendary Holmes Brothers, is a modern blues journey that fuses the personal and the political, the sacred and the profane, to haunting effect. Edenton’s title track, a bittersweet valentine to his birthplace, explores a simpler time in a racially-divided town with the clear-eyed grace that is a hallmark of Kemp’s work. Everything he makes is built on a foundation of social awareness and the desire to reflect the world as he sees and experiences it. Whether he’s performing a rousing soul tune backed by a 14-piece orchestra in a grand concert hall or a hushed meditation alone at his piano, Kemp speaks truth the only way he knows how: by baring his soul. Considering the state of the world, it is no wonder Kemp is back on the road playing to the biggest audiences of his life – selling out rooms from Northern New England to New York City and enjoying a wave of new fans who have discovered this seasoned Renaissance man via word of mouth.

“Kemp Harris is a thief, a tease and a heartbreaker. He knows too much. And it’s all right there when he sings… beautifully there. He’ll take your breath away.”  – NPR: ‘On Point’