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Ross Daly

Ross Daly

  • Contemporary
  • World

Many years before what we call “World Music” appeared on the scene, certain individuals had already understood the enormous value and vast variety of the world’s various musical traditions and had dedicated their lives to their study. One such person is Ross Daly.

Although of Irish descent, Ross Daly does not really fit into any particular ethnic stereotype given that his life has been spend in many different parts of the world and his home for the last 35 years is the island of Crete in Greece. Ross Daly, at a very early age, discovered that music was, in his own words, “the language of my dialogue with that which I perceive to be sacred”.

This dialogue eventually led him to the great modal traditions of the Middle East, Central Asia, and the Indian Subcontinent where he finally found the musical archetypes that he had been searching for all his life. In these traditions he encountered music which was not merely a vehicle of self­expression, but which was able to take one beyond what one normally perceived to be the boundaries of one’s self into other transpersonal realms of experience.

This discovery changed everything in Ross Daly’s life and he subsequently gave up all other activities and dedicated his life to the study of the innermost secrets of these musical traditions as well as to the art of composition. He subsequently travelled extensively, studying under many of the world’s greatest masters of modal traditions.

After many years of intensive training in a variety of musical traditions, Ross Daly turned his attention largely to composition drawing heavily on all of the knowledge which he acquired during his long apprenticeships. Today he has released more than thirty eight albums of his own compositions as well as of his own arrangements of traditional melodies that he collected during his travels. The island of Crete in Greece still provides a base for his personal and musical research as he continues travelling around the world performing his music.

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