When Ana Egge got bit by the music bug as a teenager, she took matters into her own hands, building her own guitar, and moving to Austin, TX to observe, absorb and take musical risks. The striking depth and unusual maturity of her singing, playing, and songwriting got her noticed, and she recorded her first album, River Under the Road (1997) with the legendary western swing band, Asleep At The Wheel. The Austin Music Awards named her “Best Singer/Songwriter” and “Best Folk Artist.” Over the ensuing years and 8 subsequent CDs, Ana has made good on that promising debut. In 2018, she released White Tiger, her tenth album, a new batch of Egge originals of such singularly articulate and affecting honesty and sensitivity, as to once again deserve USA Today’s accolade, “[Ana] can write and sing rings around” her contemporaries.
Ana Egge grew up with parents who “dropped out,” choosing to raise four girls in a lovingly cobbled together combination of a small farmhouse on the North Dakota plains, a bus on the California Coast, and a hot springs commune in rural New Mexico, scraping together dimes and hand-me-downs. Ana learned that her life was truly hers to create. “We were always the outsiders,” she says. “I was taught how to shoot a gun and how to enjoy alfalfa sprouts and tofu. I ran around barefoot and learned to ride a motorcycle when I was 5. I grew up with all the time and space in the world.” Given her unconventional upraising, it’s not surprising that Ana has since been plotting her own journey, confident, fearless, and uncompromising.