Known for his “guttural voice (that) bears a captivating, rustic quality-similar to the smoky style of M. Ward,” (The Northeast Performer) Tim Gearan was raised in New York, yet is lovingly claimed by the legendary Boston music community, where he has been playing music for over 25 years.
After 10 years of touring nationally and abroad as a sideman guitarist for Toni Lynn Washington, Gearan lived in Somerville, Massachusetts for 18 years, performing his own music with a remarkable band of Boston MVPs almost exclusively, occasionally stripping down his songs at several listening rooms to a full house.
To say Gearan’s fans are loyal and adoring is an understatement; his cast of ever expanding and long-time followers show their devotion by showing up to his weekly residencies week after week. “Tim’s songs are near enough to the source of things that any player wants to get near them, it’s like a watering hole, just a natural phenomenon; it’s where the critters gather.” (songwriter/collaborator, Peter Mulvey)”
And gather they do. Music lovers, friends and Boston’s most prestigious musicians have packed Gearan’s weekly residency at Atwood’s Tavern, a musician-favorite venue in Cambridge, Friday after Friday for years and counting. Gearan continues to collaborate with an amazement of artists in Boston and beyond.
Curtis McMurtry writes songs about villains that believe they are victims. Influenced by Fiona Apple, Billy Strayhorn and Leonard Cohen, Curtis’ music combines sinister lyrics with lush, unconventional arrangements. His first solo album Respectable Enemy was released in August 2014, and drew comparisons to Calexico and John Fullbright. His sophomore album The Hornet’s Nest was released in February 2017, and continues to garner critical acclaim. Curtis’ music has been featured on NPR’s Weekend Edition, and his song “Wrong Inflection” was included in the soundtrack for comedian Tig Notaro’s Amazon Prime series One Mississippi.
Curtis was born and raised in Austin, Texas and grew up listening to local musicians Warren Hood, Ephraim Owens, Seela, and his father, James McMurtry. Curtis studied music composition and ethnomusicology in college, primarily writing contemporary chamber music for banjo and strings. After graduation, Curtis moved to Nashville to sharpen his songwriting by co-writing with elder statesmen including Fred Koller and Guy Clark. He has since moved back to Austin where he performs as a quartet with cellist Diana Burgess (of Mother Falcon), upright bassist Taylor Turner (of Magia Negra) and trumpeter Nathan Calzada.