Martin Carthy & John Doyle
For more than 50 years Martin Carthy has been one of folk music’s greatest innovators, one of its best loved, most enthusiastic and, at times, most quietly controversial of figures. His skill, stage presence and natural charm have won him many admirers, not only from within the folk scene, but also far beyond it.
Trailblazing musical partnerships with, amongst others, Steeleye Span, Dave Swarbrick and his award-winning wife (Norma Waterson) and daughter Eliza Carthy have resulted in more than 40 albums, but Martin has only recorded 10 solo albums, of which the much anticipated Waiting for Angels (Topic TSCD527) was the latest. Whether in the folk clubs (which he continues to champion), on the concert stage or making TV appearances (he was the subject of the acclaimed `Originals’ music documentary strand on BBC 2) – there are few roles that Martin Carthy hasn’t played.
He’s a ballad singer, a ground-breaking acoustic and electric-guitarist and an authoritative interpreter of newly composed material. He always prefers to follow an insatiable musical curiosity rather than cash in on his unrivalled position. Perhaps, most significant of all, are his settings of traditional songs with guitar, which have influenced a generation of artists, including Bob Dylan and Paul Simon, on both sides of the Atlantic.
Name many of the most notable recordings and/or performers in Irish music and it’s a fair bet that John Doyle had something to do with them. Liz Carroll; Eileen Ivers; Karan Casey; Solas; Michael Black; Mary Black; the trio of McCusker, McGoldrick and Doyle; The Teetotalers (Martin Hayes, Kevin Crawford, John Doyle); and now Usher’s Island (Andy Irvine, Donal Lunny, Mike McGoldrick, Paddy Glackin and John Doyle) – a vertible who’s who of the greatest names in Irish music.
From a musical family in Dublin, John’s influences include well known English folk singers Nic Jones, Martin Carthy, Richard Thompson, and The Watersons; Scottish singers Dick Gaughan and John Martin; and fellow Irishmen Paul Brady and Al O’Donnell as well as his father, Sean Doyle – probably the biggest influence of all. John went on the road as a pro at 16 with the group Chanting House which he formed with Susan McKeown and which eventually included such great players as Seamus Egan, Eileen Ivers, & Donogh Hennessy. John went on to form the highly acclaimed super group, Solas, with Seamus Egan, John Williams, Karan Casey and Winifred Horan which took the folk and Celtic music worlds by storm, in no small part due to John’s powerhouse rhythmic guitar style and innovative arrangements.