Maeve Gilchrist & Keith Murphy
$10 student ticket available at the door w/ valid student ID
Maeve & Keith are teaching a workshop on group singing and arranging Sunday, Oct. 7th from 2-4pm. CLICK HERE for details.
Maeve Gilchrist has taken the Celtic harp to new levels of performance.
Born and raised in Edinburgh, Scotland, and currently based in Brooklyn, New York, Maeve‘s innovative approach to her instrument stretches its harmonic limits and improvisational possibilities. She is as at home as a soloist with an internationally renowned orchestra as she is playing with a traditional Irish folk group or using electronic augmentation in a more contemporary, improvisatory setting.
Maeve was the first lever harpist to join the faculty of the iconic Berklee College of Music in Boston, where she taught for five years before switching to a visiting roots department artist this spring. Also an in-demand composer and arranger; this year, Maeve premiered her first concerto for lever harp and symphony orchestra and is currently working on a number of commissions including a string quartet for Irish harp and string quartet to be premiered in Scotlandin the spring of 2018.
A native of Newfoundland, Keith’s traditional song repertoire is based in Eastern Canada and Quebec as well as his current home, Vermont. His direct and intimate style of traditional singing in English and French infuses old ballads and songs with a powerful immediacy while his rhythmic and percussive finger style of guitar playing brings new shape and color to his songs.
Keith was a founding member of Nightingale, a trio which broke new ground in its sophisticated approach to traditional music. He is a mainstay of the Boston fiddle extravaganza, Childsplay and has also worked extensively with Tony Barrand on the song repertoire from the early twentieth century of the Atwood family from Dover, Vermont. He also appears frequently with his wife, fiddler Becky Tracy as well as part of the Hanneke Cassel Trio.
Ethan Setiawan is a Boston-based mandolin player who’s won such accolades as the National Mandolin Championship, the RockyGrass Mandolin Championship, and a full-ride scholarship to Berklee College of Music.
As an involved member of the Boston alt-bluegrass scene, his path has wended its way through traditional bluegrass, to Bach partitas, to free jazz, and his debut full-length album is made up of original tunes drawing from all these wells. The album was conceived and crafted as a whole; the tunes were written for the band, who were chosen for the tunes. To write the album, he dove deep into the compositional techniques and tunes of some of the pioneers of the current wave of bluegrass: Bela Fleck, Matt Flinner, David Grisman and Mike Marshall, to name a few. After months of writing, discarding, and editing, a body of tunes emerged as clear candidates for a record. Over several years, the community around Ethan in the Northeast and Midwest evolved into the perfect band for a project such as this.
The band features Julian Pinelli and Avery Merritt on fiddles, Sam Leslie on guitar, and Jacob Warren playing bass. The recording process took place at the Record Company in Boston, and the resulting album contains close friends and bandmates, a batch of carefully crafted tunes, and the freshest grooves in bluegrass. Skilled engineer and mandolinist Dan Bui of Twisted Pine engineered and mixed the album.
He’s a member of bands Theory Expats, The Leafless, Corner House, The Harmolodic String Band, and OctoPladd.