Effective August 6, 2021, Passim will require all staff, performers, and patrons to show proof of COVID-19 vaccine when they work, attend performances, classes, and workshops at Passim. Patrons will be asked to show their vaccination card or a photo of their vaccination card when they enter the club. Patrons will be asked to show proof each time they visit the club. If a patron is not able to show proof of vaccination they will not be allowed to attend the performance, and their ticket purchase will be refunded.
During COVID, Passim has invested in its live stream capability, and we encourage patrons who have not been vaccinated or others who don’t feel comfortable yet visiting the club to watch the live streams or attend online classes instead. If you purchased a ticket but aren’t feeling well, please stay home and watch the livestream instead.
Effective September 3, 2021, the City of Cambridge has issued an emergency order requiring that face masks or coverings be worn in indoor public places. Patrons and staff must wear masks at Passim unless actively eating or drinking. Artists may remove masks when performing and will maintain a 6-ft distance from the audience. Visit https://www.cambridgema.gov/covid19/facecoverings for full information on the Cambridge mask mandate.
Passim is committed to providing a safe environment for all to work, listen, and enjoy live music. It is our hope that we can ease these restrictions once further progress has been made reducing transmission of the virus. Until then, we appreciate your patience and cooperation.
Kris Delmhorst has spent the last two decades forging a songwriting career notable for a spirit of exploration and collaboration. Her most recent album, THE WILD (Oct 2017), was co-produced with her husband, fellow songwriter Jeffrey Foucault, and features a band drawn from players they share long history with as bandmates and friends. The album merges Delmhorst’s sophisticated melodies and hauntingly open voice with Foucault’s lean aesthetic to deliver a darkly hopeful, fiercely wise new collection of songs.
Prior to THE WILD, Delmhorst released six full-length records on the respected indie label Signature Sounds, as well as a panoply of EPs, side projects, and collaborations. A wide-ranging, eclectic artist, her recordings have included intimate acoustic sets, rock band renderings, home-recording landscapes collaged from found and unexpected sounds, and works of classic poetry refigured and set to music – not to mention an all-acoustic collection of covers of songs by new-wave masters The Cars. Delmhorst is a constant collaborator and has contributed vocals, cello, and fiddle to the work of fellow songwriters Anais Mitchell, Lori McKenna, Chris Smither, Mary Gauthier, Erin McKeown, Winterpills, Peter Mulvey, Gregory Alan Isakov, Session Americana, and many more.
Delmhorst lives in western Massachusetts with Foucault and their young daughter.