Tickets will be on sale to the public 11/30 at noon. On sale to all Passim members 11/23 at noon. On sale to All Access Passim members 11/16 at noon.
Patrons and staff must wear masks at Passim unless actively eating or drinking. Artists may remove masks when performing and will maintain a 6-ft distance from the audience.
After 25 years in music, building an unimpeachable reputation as a truly independent artist and entrepreneur, Julian Taylor now owns his legacy. From the formative rock of Staggered Crossing to the genre fusion of Julian Taylor Band, and now his revered work as a solo singer-songwriter, Julian owns the right to it all and it couldn’t have happened at a better time.
It’s rare in this era to see an artist build slowly and reach a new level of widespread acclaim two decades into their career. But Julian’s ethos, work ethic, and artistry has always had a timeless quality to it. And so, he’s built things slowly in a DIY fashion, withstanding highs and lows along the way, ultimately reaching the peak of his powers with his latest solo work. Fans and critics have noticed, granting Julian the Solo Artist of the Year honour at the Canadian Folk Music Awards (and nomination in the English Songwriter category), plus two Juno Award nominations in 2021, as well as a Polaris Music Prize nomination.
2020’s The Ridge, though written and recorded before the pandemic, was the balm for the soul that so many needed that year. Through the most personal songwriting and soulful singing of his career, Julian found a whole new audience that fell in love with him. Really, it’s rare for an artist to have a major critical and commercial breakthrough two decades into their professional career, but then again, it’s also rare to make an album that resonates with listeners like The Ridge did. It earned Julian his first two Juno Award nominations (Indigenous Artist or Group of the Year and Contemporary Roots Album of the Year), along with a Canadian Folk Music Awards for Solo Artist and nomination for English Songwriter of the Year, five Native American Music Award nominations, plus a nomination for Canada’s most prestigious music accolade, the Polaris Music Prize .
With The Ridge’s live-off-the-floor production style and stripped back instrumentation, Taylor’s warm voice illuminated the autobiographical lyrics. Going deeper into the personal stories first touched on with Avalanche, Taylor revisited his childhood summers on his grandparents’ farm in Maple Ridge, British Columbia, as well as themes of family, personal loss, and growth. Now, on his latest album, Beyond the Reservoir, he explores the next chapter in his life.
Beyond the Reservoir is an album that addresses identity, loss, sadness, hope, and redemption. The themes of resilience, courage, and strength are prevalent in every carefully-chosen lyric. It contains a gentle spiritual thread that runs throughout the album touching on each of the elements like fire, water, air, and earth as they relate to humanity. It is a coming-of-age story and a beautifully-orchestrated successor to The Ridge.
On Beyond the Reservoir, Taylor continues to mine his personal story and identity as a Black man of Mohawk and West Indian roots in a white world and music scene. And yet, with music that knows the perfect balance between sparse and complex, along with the thoughtful directness of his words, which are sung in his distinctive warm and trustworthy voice, Taylor’s songs resonate with nearly everyone who listens closely.