Tickets will be on sale to the public 1/26 at noon. On sale to all Passim members 1/19 at noon. On sale to All Access Passim members 1/12 at noon.
Passim requires all staff, performers, and patrons to show proof of COVID-19 vaccine when they work, attend performances, classes, and workshops at Passim. Patrons will be asked to show their vaccination card or a photo of their vaccination card when they enter the club. Patrons will be asked to show proof each time they visit the club. If a patron is not able to show proof of vaccination they will not be allowed to attend the performance, and their ticket purchase will be refunded.
During COVID, Passim has invested in its live stream capability, and we encourage patrons who have not been vaccinated or others who don’t feel comfortable yet visiting the club to watch the live streams or attend online classes instead. If you purchased a ticket but aren’t feeling well, please stay home and watch the livestream instead.
The City of Cambridge has issued an emergency order requiring that face masks or coverings be worn in indoor public places. Patrons and staff must wear masks at Passim unless actively eating or drinking. Artists may remove masks when performing and will maintain a 6-ft distance from the audience. Visit cambridgema.gov/covid19/facecoverings for full information on the Cambridge mask mandate.
As per CDC guidelines, people are considered fully vaccinated; 2 weeks after their second dose in a 2-dose series, such as the Pfizer or Moderna vaccines; or 2 weeks after a single-dose vaccine, such as Johnson & Johnson’s Janssen vaccine.
Starting Feb 1st, we’ll be requiring a third dose (booster) if your final shot is more than 6 months prior.
Passim is committed to providing a safe environment for all to work, listen, and enjoy live music. It is our hope that we can ease these restrictions once further progress has been made reducing transmission of the virus. Until then, we appreciate your patience and cooperation.
Julian Loida is a Boston-based percussionist, composer, and producer. Loida’s musical curiosity and open-mindedness has propelled him towards a wide-range of sounds, genres, and artistic endeavors. He’s performed jazz, folk, and classical, collaborating with dancers, visual artists, songwriters/composers, and musicians of all stripes. The thirst to participate in and experience this range of sounds is partly a product of Loida’s synesthesia. Music is a full- body experience for him, with sounds often invoking involuntary sensations of color, texture, or even taste.
Loida often writes and arranges for his projects and ensembles (the Cuban/Brazilian band INÃ, jazz quintet Mojubá, chamber-folk band Night Tree), and his music has been featured in film. His interdisciplinary projects aim at breaking down artistic barriers. The evening-length solo-project Recital of Dedications incorporates speech, visual media, and music into a series of dedications to individuals, historical moments, and more. In 2018, he released the album Bach LIVE!, featuring J.S. Bach’s music arranged for percussion. Loida’s upcoming 2019 release, Wallflower, marks his solo-album debut, and also provides the clearest distillation of his voice as a composer to date.
Loida has toured internationally as a featured artist at Korrö, Sweden’s largest folk music festival, and played some of the most prestigious music festivals in the U.S. such as Spoleto, New World Festival, the Exit Zero jazz festival, Caramoor American Roots Festival, and Round Top Music Festival. He has performed with groups such as Alarm Will Sound, the Callithumpian Consort, and the Chautauqua Symphony Orchestra.
As an educator, Loida shares his scores and deep rhythmic knowledge with students of all ages. In 2017, he received his Master’s Degree in Classical Percussion from New England Conservatory.