Effective August 6, 2021, Passim will require all staff, performers, and patrons to show proof of COVID-19 vaccine when they work, attend performances, classes, and workshops at Passim. Patrons will be asked to show their vaccination card or a photo of their vaccination card when they enter the club. Patrons will be asked to show proof each time they visit the club. If a patron is not able to show proof of vaccination they will not be allowed to attend the performance, and their ticket purchase will be refunded.
During COVID, Passim has invested in its live stream capability, and we encourage patrons who have not been vaccinated or others who don’t feel comfortable yet visiting the club to watch the live streams or attend online classes instead. If you purchased a ticket but aren’t feeling well, please stay home and watch the livestream instead.
Effective September 3, 2021, the City of Cambridge has issued an emergency order requiring that face masks or coverings be worn in indoor public places. Patrons and staff must wear masks at Passim unless actively eating or drinking. Artists may remove masks when performing and will maintain a 6-ft distance from the audience. Visit https://www.cambridgema.gov/covid19/facecoverings for full information on the Cambridge mask mandate.
Passim is committed to providing a safe environment for all to work, listen, and enjoy live music. It is our hope that we can ease these restrictions once further progress has been made reducing transmission of the virus. Until then, we appreciate your patience and cooperation.
There’s something about a record cut by a bunch of folks that have put as many miles on their fretboards of their instruments as they’ve put on the van’s odometer. Gasoline is Boston, MA quintet Grain Thief’s first release since 2018’s Stardust Lodge. While that release explored the boundaries of Americana, the new record showcases the group’s core as a roots string band. It’s a musical snapshot of the band’s true live sound. Climb on in, turn the key, and give ‘er some gas. I promise you’ll be in for a lovely ride.
There’s no room to fake it when it’s just the band, acoustic instruments, and a microphone. Patrick Mulroy (guitar, vocals), Zach Meyer (mandolin, vocals), Michael Harmon (bass, vocals), Tom Farrell (resonator guitar), and Alex Barstow (fiddle) have grown as individual musicians, and Grain Thief has grown as a cohesive musical unit. Gasoline is a more refined and polished work than the band’s prior releases. “We made a conscious choice to narrow our focus and create an album that was more cohesive and reflective of our live performance” says Harmon.
While on past records (the Animal EP in 2015, followed by Stardust Lodge) the band would track individually, Gasoline represents an intentional departure from that process. “Our goal was to record everything as we would play it live, with as few overdubs as possible” Harmon tells. Determined to emphasize their identity as a string band, Grain Thief recorded the bulk of Gasoline with the whole ensemble recording in one room at the same time. Indeed, this is a band that walks the talk, and the easy grace with which the record unfolds belies the elegant intricacy that lies therein.
Written across the Northeast at late night parties, on airplanes, rolling down the highway, and whilst killing time at various and sundry day jobs, the band pulled from everyone’s experience and influences to create a piece of art that is both nuanced and possessed of a tangible internal cohesion. They play together whenever possible – and at least twice a week – to maintain their melodic brotherhood at the highest level.
The Dirty Grass Players
Hailing from Baltimore, Md The Dirty Grass Players have established themselves with one toe-tappin’ foot in traditional bluegrass and blazing musicianship that pushes boundaries. Comprised of Connor Murray on Bass, Alex Berman on Banjo, Ben Kolakowski with the guitar, and Ryan Rogers on mandolin, this four piece is successfully bringing their growing fan base a down, dirty and heated performance. Their ability to seamlessly transition from down home bluegrass to spirited improvisation makes each performance unique. Throw in some Allman Brothers, Pink Floyd or a dash of southern rock and you’ll quickly understand what they mean by Dirty Grass. Their self-titled debut CD The Dirty Grass Players captures this energy and as 2017 winner of Charm City Bluegrass & Folk Festival Band Competition clearly indicates, this is just the beginning. Successfully touring the Mid-Atlantic and festival appearances, this year finds the group expanding along the East Coast and building on this momentum. For anyone that enjoys a musical throw down by skilled musicians its time to get your grass dirty.
The last 2 years have consisted of a busy touring schedule that has kept The Dirty Grass Players from releasing new music, but in 2019 they are excited to get new tunes out into the world. Their first single “Grand Voyager” – released in April of 2019 – is a fast-pickin’ tune that pays homage to their humble beginnings. Reminding their fan base why they love them, this tune will also help any non-bluegrass-lover transition into becoming an appreciative consumer of bluegrass music, or should we say “Dirty Grass”.
Entering into their sixth year together, The Dirty Grass Players are ready to release their 2nd studio album, “Beneath the Woodpile”. Put together with alluring harmonies, lyrics, and melodies, the band presents a sound precisely at the crossroads of traditional and progressive bluegrass. This isn’t just another run-of-the-mill bluegrass album or band; it’s cathartic and dirty grass.