Amy Speace

Amy Speace

  • Americana
  • Folk
  • Singer/Songwriter

Amy Speace

  • Americana
  • Folk
  • Singer/Songwriter

A modern folksinger whose music nods to the genre’s 1970s glory days, Amy Speace has spent two decades chronicling the high marks, heartbreaks, and hard roads of a life logged on the road. She’s been a tireless traveler, chasing the dream from the coffeehouses of New York City to larger stages across the globe.

Me And The Ghost Of Charlemagne finds Speace focusing on the other side of that so-called dream. The real side, filled with an ever-shifting balance of struggle and joy. Produced by longtime collaborator Neilson Hubbard and recorded during the final weeks of Speace’s pregnancy with her first son, Me And The Ghost Of Charlemagne captures Amy Speace at her most nakedly honest, with sparsely-decorated songs that double down on her larger-than-life voice and detail-rich songwriting. It’s an album about the colliding of dreams and reality, full of characters making sense of their lives when something is lost and then found.

Discovered and mentored by folk-pop icon Judy Collins during the early 2000s, Speace left her career as a classically-trained Shakespearean actress and, instead, kicked off a string of acclaimed albums, including Songs for Bright Street, The Killer in Me, and How to Sleep in a Stormy Boat.

Years before Americana music received its own category at the Grammy Awards, Speace was one of the genre’s earliest champions, mixing the best parts of American roots music — gospel, alt-country, folk, classic pop — into her own songs. Me And The Ghost Of Charlemagne follows in that diverse tradition, but it also shines its light on a new Amy Speace: a clear-eyed, reenergized songwriter who’s done with chasing things that don’t matter…but isn’t anywhere close to being done with her art.

Dave Dersham

  • Folk
  • Singer/Songwriter

Dave Dersham is a meandering fool.  In his 20s, he spent a searing Wyoming summer prepping gruel for Dornan’s chuck wagon beneath the Teton’s purple haze; taught Eco-Ed to middle schoolers among the butterscotch-soaked pines of the Black Hills; trekked the sage and cottonwoods with underserved youth in southern Idaho; and explored the cultures of Belize, Guatemala, and Honduras.  (He never saw the resplendent quetzal that reportedly, “hung around the Coca-Cola sign” near Coban, but he did manage to see a motmot when visiting the Jaguar Reserve.)

By his 30s, the muse pulled Dave to the luster of the Cambridge folk scene where he completed his first CD, “The Burn of Summer.”  The album enjoyed regular airtime on folk radio’s WUMB, Emerson College’s WERS, and produced a finalist selection for the nationally syndicated Mountain Stage’s Emerging Artist competition. 

His second album, “Gilding the Lilies” was recorded with the assistance of Lloyd Thayer’s unorthodox lap-steele, as well as the shrewd production/instrumentation of Jared Fiske.  The CD was released in the fall of 2011 and was distributed internationally. He is currently working on his third CD to be released in 2019.

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