Amy Speace is a folk singer, timeless and classic, and a bit out of her own era. “She has one of the richest and loveliest voices in the genre and her songs are luxuriously smart,” writes Craig Havighurst (host of Nashville’s “Music City Roots”). “She’s profoundly personal yet also a bit mythic.”
Since her discovery in 2006 by folk-pop icon Judy Collins, Speace has been heralded as one of the leading voices of the new generation of American folk singers. Her song “The Weight of the World” was named as the #4 Best Folk Song of the last decade by NYC’s premiere AAA radio station, WFUV and was recorded by Judy Collins. From her beginnings in New York City as a classically-trained actress with The National Shakespeare Company to the coffeehouses of Greenwich Village where she began playing her original songs to her move to East Nashville in 2009 to her latest release, “That Kind Of Girl”, what ties all of her work together is a palpable empathy for the small struggles of the human condition. She has released 5 critically acclaimed records, 2 on Collins’ own imprint Wildflower Records, 2 on Thirty Tigers and her latest is a trio collaboration called Applewood Road which was released in 2016 on London’s Gearbox Records. She is currently at work on her next solo album, to be released later in 2018.
- Indie Folk
Rachael Kilgour is a Minnesota-born, Boston-based songwriter and performing artist whose sincere, lyric-driven work has been called both brave and humane. The 2015 grand prize winner of the esteemed international NewSong Music Performance & Songwriting Competition and winner of the 2017 Kerrville New Folk Contest, Kilgour has been featured at NYC’s Lincoln Center, at The Kennedy Center in Washington D.C. and by the ASCAP Music Cafe at the Sundance Film Festival.
Married in her early twenties, Kilgour devoted her young adulthood to parenting her stepchild and building family and community. Her work from that time (Self-Titled 2008, Will You Marry Me? 2011, Whistleblower’s Manifesto 2013) chronicled her life as a young parent in a same-sex partnership and addressed sociopolitical issues from government corruption to income inequality and religious hypocrisy. Kilgour’s music career took a backseat during those years as she lived a slow, home-focused life.
In 2014, divorce brought an unwanted end to her role as a member of the family she had helped to grow. In the aftermath, Kilgour found solace in songwriting. Her third full-length album, Rabbit in the Road, was born out of that time.
In September of 2018, Kilgour follows up with the release of her new EP, Game Changer. The aptly titled work examines the artist’s tentative first steps into a new world, post-heartbreak. With a clear head, Kilgour touches on the complicated nature of romance and relationship, sets up a stunning defense of queer love, and reassesses her priorities as a citizen of a changing wider world.