Summer BCMFest with Katie McNally and Daymark

July 02, 2017 7PM
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$18 / 10

“THE NEW FACE OF SCOTTISH FIDDLING IN THE USA" (The Living Tradition), Katie McNally has made waves in both the American folk music scene and abroad since the release of her debut album, Flourish, in 2013. Her latest project synthesizes her elegant and powerful fiddle playing with the talents of genre-crossing pianist Neil Pearlman and bluegrass phenom Shauncey Ali on viola.

The trio recently travelled to Cape Breton to record a brand-new album slated for release in Fall 2016. Under the guidance of producer Wendy MacIsaac (Beolach, Mary Jane Lamond), McNally has curated a collection of tunes that will draw inspiration from raw, mid-century recordings of Cape Breton fiddlers both in Nova Scotia and Massachusetts and be sculpted by the creative energy of the Boston acoustic music scene.

Recent covergirl for Fiddler Magazine, Katie has performed and taught fiddle courses in the U.S., Canada, Spain, Scotland, England, and France. A member of the cross genre fiddle super-group Childsplay since 2009, she appears on their CD and concert video release, “As the Crow Flies,” produced by legendary Irish fiddler, Liz Carroll. McNally performs regularly as a soloist and has collaborated in the past with guitarist Eric McDonald and all-woman trad group, Long Time Courting. In the fall of 2012, she accompanied famed Galician bagpiper Carlos Núñez on his first North American tour to promote the release of his Sony Masterworks double album, “Discover.”

A student of acclaimed fiddler Hanneke Cassel, Katie has played at the Newport Folk Festival, the Barns at Wolf Trap, The Freight and Salvage, The Festival of American Fiddle Tunes, Benaroya Hall, as well as various folk venues throughout North America. In addition to her busy touring schedule, she is a devoted educator whose teaching style was molded by years of attendance at fiddle camps where learning music is about joy and community and fun! This is her approach whether working with her private students, in workshops, at fiddle camps, in musical outreach programs or at Boston’s Symphony Hall.

Katie attended both The University of Glasgow and The National Piping Centre in Glasgow Scotland where she studied ancient and modern Scottish Literature and Scottish traditional music. Katie graduated Magna Cum Laude from Tufts University in 2012 with concentrations in Music, English and Child Development where she earned The Etta and Harry Winokur Award for Outstanding Contribution to Performance.

 

http://www.katiemcnally.com/

 

Daymark is an international trio performing traditional Irish music infused with infectious energy, raw power, and Northern swagger. Fusing the talents of Will Woodson (flute, border pipes), Dan Foster (fiddle) and Eric McDonald (guitar, vocals) the group presents a classic blend of wind and string as driving flute meets virtuosic fiddle, underpinned by well-considered and expertly delivered guitar. 

Each member of the trio had carved their individual musical pathways and style from diligent listening and study, extensive travels, and numerous performances in Ireland, Scotland, England, America, and Canada before meeting at the Northern Roots Festival in Vermont during the winter of 2015.  Over a long night of music, they discovered a natural and complementary fit of individual styles, as a well as a mutual interest in the same corners of the Irish tradition. Sharing a love for the music of generations past, in Daymark’s sound one can hear the echoes of Irish-American dance halls from the 1920s and 30s, alongside the lonesome tones of Donegal country fiddlers and the rollicking smoky pubs of Northern England’s immigrant neighborhoods. Taken together, these influences merge into a music that’s very much part of the present; it’s a sound that’s urgent and wild, held together by camaraderie that’s quite audible. This is the foundation of their music. What emerges is intimate enough feel at home down at the local pub, big enough to fill a festival stage or a concert hall. 

Each member of Daymark is well established in their own right, and collectively the three have lived and studied traditional music across Ireland, Scotland, England, America, and Canada, in the cities of Limerick, Glasgow, Newcastle, Montreal, Boston, and New York.  Foster hails from Northern England, and developed his music in the lively session scene there, going to study at Newcastle University's Folk Degree course before honing his fiddle style in Limerick under master musicians. Woodson holds a master’s degree in traditional music from the Royal Conservatoire of Scotland in Glasgow, and in addition to his musical work is an established pipemaker, performing on an instrument of his own construction. McDonald is a native of Boston, and learned his music in the city’s sessions and folk clubs before studying at the famed Berklee College of Music. All three have spent the first decade of their musical careers performing with countless projects and recording a number of albums; they’re road hardened, stage seasoned, and altogether full of music. Together as Daymark, the collective experiences of the three coalesce into an altogether compelling musical force.

 

https://daymarkmusic.com/

 

Please note that the seating chart has recently been updated, so be sure you are purchasing the seats you want.  If you do not purchase all seats at your table, other patrons may be seated with you.  Your ticket reserves you a place at the table you select but not a specific location at that table.  There is no food or beverage minimum.  All tickets are non-refundable.

$18 / 10
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