For the past 25 years, Scott Alarik has been arguably the most prolific and influential folk music writer in the country. He covered folk for the Boston Globe, contributed regularly to public radio, including seven years as correspondent for the national news show Here and Now, and wrote for many national magazines, including Sing Out, Billboard, and Performing Songwriter. From 1991-97, he was editor and principal writer for the New England Folk Almanac. In 2003, his first book, Deep Community: Adventures in the Modern Folk Underground, was published. Never before had the landscape of modern folk music been so comprehensively documented, prompting the Library Journal to call it “an essential primer to the continuing folk revival.”
"The finest folk writer in the country." - Dar Williams
"One of the best writers in America." - Pete Seeger
About Meg Hutchinson
Lyric-based, contemporary acoustic songwriter. Influences include poet Mary Oliver, songwriter Shawn Colvin, and mood maker David Gray. Originally from rural western-most Massachusetts, Hutchinson is now based in the Boston area. She has won numerous songwriting awards in the US, Ireland and UK, including recognition from John Lennon Songwriting Competition, Billboard Song Contest and prestigious competitions at Merlefest, NewSong, Kerrville, Falcon Ridge, Telluride and Rocky Mountain Folks Festivals.
About Alastair Moock
Fifteen years into his career on the international folk circuit, Alastair Moock has managed to carve out a unique niche for himself: He is an artist committed to celebrating the roots of American music while knocking down the walls between different audiences, genres and musical traditions. Today, his audiences range from adults all the way down to preschoolers, and he plays everything from nightclubs to theaters to schoolrooms. Like his boyhood hero, Woody Guthrie, Moock believes in the power of music to reach all people — young and old, far and wide, for all occasions.
About Jake Armerding
The Boston Globe calls singer-violinist Jake Armerding "the most gifted and promising songwriter to emerge from the Boston folk scene in years."
"This is organic music," the Boston singer-songwriter-violinist offers about his fifth album of originals, Her. "It's a bunch of us playing our instruments and singing, and getting taped while we're doing it. There's no pitch correction, no chemicals, no nothing." Armerding, along with some of the best players on the East Coast scene, holed up in a studio in North Reading, MA just before last Christmas, got completely snowed in, and made some beautiful, raucous, lasting music. Armerding confides, "For years I've been trying to get away from love songs -- everybody writes them, they're the easiest to write, all that stuff. But then I fell in love and got married, so it wasn't really an option." Singer and songwriter Mark Erelli, a longtime friend and colleague who contributed guitar and vocal tracks to the project, commented, "It's pretty great to listen to a whole record of love songs and not hear any of the usual love song cliches."
More About Scott
Alarik was born in Minneapolis, Minnesota, and became a folksinger immediately after graduating from high school in 1969. He made his professional debut as a weekend regular at an oh-so-‘60s coffeehouse called Heads Together. He also actively opposed the Vietnam War, joining the Resistance Movement while still in high school by publicly refusing to register for the draft. He was convicted of resisting the draft and served 19 months in federal prison. After his release in 1972, he became a fixture on the national folk circuit, performing regularly on A Prairie Home Companion, releasing three vinyl albums, and appearing at such legendary venues as the Coffeehouse Extemporé in Minneapolis, Somebody Else’s Troubles and Earl of Old Town in Chicago, Caffé Lena in Saratoga Springs, Godfrey Daniels and the Cherry Tree in Pennsylvania, the Speakeasy in Greenwich Village, and the Idler, Old Vienna, Iron Horse, and Passim in Massachusetts. Prairie Home Companion host Garrison Keillor wrote of Alarik, “I have rarely seen an audience in such a good mood as when he’s just been there.”
After moving to Boston in 1984, Alarik was invited to write for the Boston Globe and soon became its principal folk music writer, covering that vibrant beat for nearly 25 years. He was the first Boston critic to write about many of today’s biggest folk stars, including Ani DiFranco, Alison Krauss, Solas, Dar Williams, Mary Chapin Carpenter, Kate Rusby, Shemekia Copeland, Susan Werner, Eileen Ivers, Vance Gilbert, Catie Curtis, Ellis Paul, Eilen Jewell, Meg Hutchinson, and Crooked Still. Wall Street Journal critic Earle Hitchner calls him “one of America's most astute music critics and chroniclers.”
He is also a popular presenter of talks on folk music topics at colleges, museums, folk societies, and other venues. He was invited to deliver the inaugural Botkin Folklife Lecture at the Library of Congress, and teaches an annual course called “Understanding Folk Music” at McDaniel College’s Common Ground music camp.
Alarik has maintained his performing career, appearing at coffeehouses near his home in Cambridge, Massachusetts, and releasing two CDs, “-30-” and “All That Is True.” In singing the praises of Revival, Si Kahn wrote, “Scott Alarik has long been one of the wisest and most literate voices on the folk scene, from his articles and books to his own passionate songwriting, storytelling and performances.”
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